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When We First Met (2018) Review

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When We First met is a Netflix original directed by Ari Sandel about a guy named Noah finds a magic photo booth that allows him to travel back in time to the night he might his crush Avery. Everyone tells Noah to move on, but his obsession has him repeating the same night trying to fix destiny where he and Avery can be together. As movies of this genre go, you get a glimpse of how his decisions of his life impact his future until he finds the reality he likes. You don’t really need to much background, you already know the plot to this movie.

This was a hard sit. It wasn’t so much the plot, but rather the awkward execution that makes watching this movie a chore. As I’ve stated before, Netflix has become the new direct to VHS genre producing generic material just for the sake of filling up it’s virtual library with content. The plot is generic. The acting is bad. Although the movies definitely look nice compared to the direct to VHS junk we got stuck with. Netflix has yet to impress me with an original movie and this movie was terrible.

The movie starts off promising. The first night Noah and Avery is cute. This sequence makes Noah seem charming and the relationship seems plausible. We instantly learn that there are two sides and where Noah saw love, Avery only saw friendship. It becomes incredibly hard to sit through as Noah’s obsession becomes creepy. They call him a stalker a couple of times and I don’t think stalker is a strong enough word. Adam Devine’s interactions with all the characters are just so awkward. Noah is so desperate for Avery to fall in love that he goes to great lengths to get it which is in itself manualize and creepy. The movie even starts off by telling Noah that he should move on because there is nothing there. I wish the movie would have ended it at that, but no you have to wait an hour and a half for him to realize this and it sucks.

I have a huge problem with Noah’s character because his obsession makes him scary. You don’t want Noah to succeed because of how creepy he is. I couldn’t figure out why anyone liked Noah in the first place since he doesn’t seem to have any redeeming factor or reason for being in the group. The movie is constantly trying to tell you that Noah is a good guy but he doesn’t ever show it. If you want Noah to be a good guy, have him show it. Have people feel bad at least and want him to find love, but his actions don’t merit any kind of reward. In the end, Noah doesn’t learn anything from this experience. These movies work because after all the time travel and seeing all the possibilities, the characters learn something about their life. Noah by the end of the movie is still creepy Noah. There is no growth, there is no lesson, just Noah.

Like other Netflix movies, this one tries it’s hardest to be deep, but the message is so obvious and generic it doesn’t work. It’ll spend a long time explaining obvious symbols. They actually name drop the movie in the first sequence. I am honestly surprised this movie isn’t called Photobooth. I think they missed the mark on that one.

In closing, this one was bad. Skip this. Rate it a thumbs down. It doesn’t work as a comedy. It doesn’t work as time travel movie. It doesn’t work as a movie. I give this a 0 out of 10 because there is nothing in this movie worth seeing.

Movie Reviews

American Hero 2015 Review

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American Hero (2015) was written and directed by Nick Love. It stars Stephen Dorff as Melvin Hesper and Eddie Griffin as Lucille. The film is a mocumentary about an American addict with telekinetic psychic abilities. The film starts out with the search of the missing Melvin. We get introduced to Lucille, a paraplegic who we later learn is Melvin’s closest friend. We learn instantly that Melvin is kind of a loser as we find him passed out on the street after a night of partying on the day of his court date for visitation rights with his son. Melvin loses his rights and we watch him fall into despair as he loves his son. The only way Melvin knows how to cope with any emotional pain is through his substance abuse, and as the film progresses it gets worse.

Along the way, many of his loved ones will warm him and plead for him to change. We also see him use his powers for cheap parlor tricks and to help feed his addiction. There are also several sub plots that the film introduces. Lucille living his life as a paraplegic, and a plot about drugs and gang violence in the city of New Orleans. They do a decent job implementing them to Melvin’s narrative and although they weren’t necessary, they weren’t distracting enough to take out.

The format that they used was incredibly effective to tell this story. You get to see how addiction affects Melvin directly, but you also get to see the effects on the people around them. In interviews with the other characters, you get to learn aspects of Melvin’s life that would be lost if it were shot any other way. You get to learn that he is smart, that he has these gifts, that he is kind. But you also get to see the hurt his loved ones feel as he continues to spiral. As mild as it might seem for a movie about addiction, I think that it handles the topic rather well. You can see Melvin doesn’t want to be lost in his addiction, but it is the only way he knows how to handle his pain. Anytime Melvin endures hardship, you can still see the pain as tries desperately to numb it out. I particularly like how they contrast the scenes of his benders with people telling him to slow down and change. To me, it makes the scenes where he is partying sad.

My favorite part of the movie was the relationship Melvin had with Lucille. There was a bond that they shared that was stronger than anything and as lost as Melvin gets, he still has Lucille and I though that was cool. And Lucille isn’t just the comic relieve. I think Eddie Griffin does a great job as Lucille. You can see him fighting to come to terms with his disability and you also see him worry and care for his friend.

All in all, I recommend watching this movie. Yeah it a low score on the rating websites but I think its at least worth checking out. It is a different kind of super hero narrative because throughout it, Melvin isn’t a hero. Nor is Melvin a hero, he’s just some normal guy trying to be normal but doesn’t know how to. Yeah, the CGI isn’t great, but it’s not distracting. Overall, I give this film an 8 out of 10. The ending wasn’t great and some of the scenes dragged on for a bit. Don’t skip this one.

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Singularity (2017) Review

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Singularity

Singularity (2017) was written and directed by Robert Kouba. The movie starts out in 2020 with the launch of Kronos, an AI super computer that is supposed to solve everything. We get introduced to the main character Andrew Davis who is taking care of his mother. As Andrew goes to work, Kronos goes online and determines that man’s biggest problem is man and starts destroying mankind. We cut to 97 years later where Andrew wakes up unscathed and unaged as he climbs out of some hole and conveniently finds a brand new outfit. He also picks up a necklace that the film desperately wants you to know is important. This movie tries ineradicably hard to be symbolic.

We then get introduced to Katniss Croft, I mean Calia who is on her way to the last standing human city. She saves Andrew from a droid attack and they decide to go on this magical quest together. Of course, they fall in love because they both admire that they are each the leads of this movie. In the meantime, Elias, the creator of Kronos, watches the leads in hopes that they will lead him to the last city, so he can wipe out the last of humanity. Through this Elias we discover that Andrew is a robot disguised as a human. The rest of the film is the love story of the two leads as they try to survive a machine run planet, and the obvious plot of Andrew being more human than machine.

This movie has too many holes leaving the story incapable of holding up on its own. It is incredibly dull. There is no tension. In the scenes when the leads are being chased, I found myself dozing off because the terrible CGI took too long to render. This was a hard sit as there isn’t anything that holds your attention.

The acting is terrible. The scenes between the two leads are just awkward. They have absolutely no chemistry, so their romance is forced an unbelievable. Julian Schaffner’s performance is just so robotic. It would work if the plot didn’t rely on the fact that Andrew must be believable as a human, therefore, this performance only makes all his scenes awkward. Jeannine Wacker doesn’t do any better and her live performance just seems lazy and unconvincing. She is also the narrator, and although her voice acting parts do have a little more emotion, it is not a lot or enough. John Cusack sleep walked through this. If you are a Cusack fan, skip this one. He basically reads lines and makes silly faces.

The story is flawed and full of holes. There are scenes where they will go into houses that look like they have been abandoned for weeks, not the 97 years that they were supposed to be. Why does it take 97 years to destroy humanity? Why does she carry a crossbow? The film leaves you with too many questions.

There is a lot plot points that they add and they forget about so by the end of it, if you in fact make it to the end, will leave you confused. They have human tunnel dwellings, robot cities, human strong holds, some weird neckless, and none of it really matters because they never really explain it. Instead you get to follow the two leads who you don’t even believe that they like each other. The best part of the movie is that they had the balls to sequel bate. I think it is funny that someone believed that this, what ever this is, would merit a second part.

This movie is boring. The concept might be cool if executed better but at this point, go watch Terminator. This movie isn’t worth your time and I’ll honestly forget it by tomorrow. I’ll give this movie a 1 out 10. Skip it.

Movie Reviews

The Kissing Booth (2018) Review

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The Kissing Booth (2018) is a Netflix original, written and directed by Vince Marcello. The film is based on the novel Beth Reekles. The plot is about two teens that are best friends. It doesn’t get any deeper than that. The main characters, Elle and Lee, are born on the same day and they are best friends because their moms were best friends. Lee has a dreamy older brother, Noah, whose only characteristic is that he is dreamy. Since this is a high school drama, well prep school, of course the dorky main girl instantly falls in love with Noah. You can clearly tell from the opening montage that Elle’s love for Noah is merited by his good looks and…that’s about it. And there is something about rules Elle and Lee make up as kids. They have multiple rules that they quickly gloss over because they aren’t important, but the one they do constantly remind you is that Elle can’t go out with Noah.

The rest of the movie revolves around annoying high school drama, if you could call it that, and their genius plot to make money for the school by hosting a kissing booth. If you are wondering why the movie is named after this plot point, it doesn’t matter. As much as the movie attempts to help you make the connection and symbolism of the kissing booth, and they try way too hard, it doesn’t matter enough to name the movie after it. Maybe the book did a better job creating this connection, but for the plot, as generic as it is, it doesn’t matter.

So the main character Elle, who if you don’t hate her by minute 13 you will learn to, is tasked with organizing the kissing booth and even get Noah and the popular girls to participate. Then there is more high school stuff that doesn’t matter until finally the day of the fundraiser. The kissing booth is a success, maybe that is why it is the name sake? And Elle ends up kissing Noah without knowing. The rest of the movie becomes annoying couple stuff where the two try to keep their relationship a secret and you get to see their love grow as they just bang. It’s a generic high school drama, you know how it goes.

This film is dull. The main characters are such bad people that I stopped caring about them instantly. Noah is hyperbolically perfect to the point where he isn’t even real and this all feels like a dream of some awkward girl. But I’ll give them credit. The awkward scenes are extremely awkward. Other than that, it was too generic to hold your attention. They try to fake you out a couple times where you believe that the two best friends would end up together, and I would have probably like it better if they did because Lee was a little more real than his brother, but they don’t, and you end up hating yourself for sitting through so much of this film. At an hour in I couldn’t believe I had made it this far.

My favorite part of the film is the ending credit scenes. They had such confidence in their final product that they believed people would stay till the end. I only made it that far because I had to, and the credit scenes are awkward and unimportant. They aren’t even bloopers, it is just awkward scenes of the actors being “silly” and at that point I just turned it off.

This isn’t worth your time. The side characters are forgettable. The plot isn’t good. The acting is ok but the concept doesn’t help in the slightest. I didn’t care about this movie. Maybe it’s because I’m not the target audience but it did a poor job grabbing and holding my attention. Netflix needs to stop spreading itself so wide and focus on making more quality content, as of now it is becoming the “strait to VHS” bargain bin crap you skip at Walmart. I’d say skip this and watch something else. Final verdict: 3 out of 10.