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Aladdin (2019) – Review

The recent trend of rebooting past series a modernizing them leaves me a bit uneasy. On one hand, it is nice to see a new generation experiencing media that was formative for my cultural identity, but on the other hand it is easy for greed to make such unique ideas come out incredibly generic. I also understand that it is easy for nostalgia to create an unfair bias against a movie that would otherwise be considered good. I will not be comparing the movie to the original but instead be focusing on its own merits. Because of this I will not go into too much plot summary since most people should at least be somewhat familiar with the plot of the movie.

The movie starts off as a framed narrative that sets the tone for the rest of the movie. The narrator of the story is Will Smith, and if you haven’t figured it out, this is a Will Smith movie. Now I am not saying that Smith is a bad actor, he is not, I am saying that his overbearing presence seems hurts the movie because most of everything else doesn’t fit the tone. My biggest issue with the recent reboots is the star studded cast. Seems like most of these movie’s cast people not because they fit the roll, but because it will give the movie more name recognition. Unfortunately, this movie is hurt by it’s star.

Will Smith as Genie isn’t a bad choice by any means. Some of his delivery is solid and his singing is good enough to be in the movie, but they make his presence suffocating. They are really trying to get the most out of Smith for what they paid for. Because of this, there is an uninteresting love plot between Genie and the handmaiden that only comes to light because the plot demands it. Some of the songs are modernized so that Smith can have a solo and while sometimes it is ok, they ruin it by adding rap to it. I know Smith had a career as a rapper and I have nothing against rap music, I like it, but it is a problem when an otherwise great song has its rhythm halted because they want to reach the teens in the audience. I can honestly say that this movie is all about Genie and less about the forbidden love story that they keep cutting back as it is remembered. While he isn’t the worst choice for the Genie, I would have liked it better if the focus was on the story instead of Genie shenanigans.

Because of his overreaching presence, the main characters feel like supporting characters. Any of the character development, as little as there is, is kind of briefly mention and that really hurts this movie. This is a movie that is meant to be about breaking out of traditional roles and labels and becoming the truest self. These big moments are rushed because they spend so much time on unnecessary filler. When Jazmin finally fights back and when Aladdin finally accepts who he is, it doesn’t feel as big because there was little in this movie to show them working for that. Sure the musicals numbers suggest that the plot is moving in that direction, but this is the equivalent to an exposition dump. It really does hurt the narrative when the journey to character growth is summarized in song instead of having meaningful scenes that show the growth. I would have rather they removed some of the Genie scenes and Genie’s love interest and replaced it instead with scenes with the actual main characters.

The movie feels incredibly stiff because most of it is shot on green screen. I am not a huge fan of CGI because some of it looks ugly, and this movie has some ugly scenes and that was a huge distraction for me. Some scenes lose their effect as a result. For example, the carpet ride looks cheap and the actors look incredibly uncomfortable. It doesn’t feel magical nor does it feel like they are making any sort of real connection. It is feels like two people standing in front of a camera, swaying occasionally for effect.

In closing, this movie isn’t anything remarkable. It is put together like a bunch of Genie sketches with only the thinnest amount of plot to move you to the next Genie scene. If you have kids, this isn’t the worst movie you will have to sit through. It is honestly one of the best if not the best Disney live action ones I have seen so far. It’s fun enough to watch, but it probably won’t be remembered.

The Invisible Man (2020) – Review

I am not the hugest fan of Blumhouse because they usually disappoint. Because of this, I went into this movie expecting to hate it. I am honestly surprised at the result of this, it performed far better than I thought it would.

Cecelia runs away from her abusive and controlling husband, and this film shows the aftermath of this break up. As she begins to achieve normalcy and stability in her life, she gets news that her husband is dead. It is only when she begins to believe that she is finally free Andrew, he rears his ugly head, hell bent on destroying any peace Cecelia thinks she has. Now, Cecelia must survive as she tries to convince those around her that her invisible ex is ruining her life.

The Invisible Man takes the uncomfortable topic of domestic abuse and presents it respectfully. It isn’t brushed off as exposition, nor are there aren’t any scenes of abuse to add shock value to the movie. Instead, you get most of this story from Cecilia herself. The way she acts in the beginning of the film, scared and distrusting of everything, alone is enough to sell this narrative. Elisabeth Moss delivers a brilliant performance as you can honestly disturbingly believable. She isn’t a superhero victim with bruise makeup on. You see the fatigue take her over as the movie progresses. The way she dresses, acts, and even talks are in direct reaction to the amount of stress she comes under because of Andrew. What’s more, she starts to grow from these adversities which is something cool because when the climax arises, it isn’t because of some sudden burst of dumb luck and valor like traditional slashers, but she has finally had enough and wants the harassment to stop. This is one of the few movies where everything prior to this actually matters and contribute to the Cecilia’s character growth. It is an rare concept to find actual character development in slasher films, usually it devolves to a monster chasing stereotypes of people till the final brawl.

But this movie is without it’s flaws. Some of the interactions are awkward and there are scenes in this movie that exist just to move the movie to the next plot point. The story isn’t incredibly original and some of the science and logic are thrown out the window in order to make the plot work. But these can be easily overlooked as this movie is still enjoyable.

If you haven’t seen it, I strongly recommend checking it out. Especially if you are a fan of thrillers. Watch this because you like scary movies. Watch this because you want the suspense to grip you till the very end. Watch this movie for Moss’ performance!

A word of caution however, the movie deals heavily with the topic of emotional and physical abuse and if that is a trigger for you, skip this movie.

Radioactive (2019) – Review

This pretty unremarkable biopic leaves too much to be desired. This film focuses on the re-imagining of the life of the renowned Marie Curie. It follows her as she must navigate through both her personal and professional life. Unfortunately, the film takes the life of such an interesting person and makes it rather boring.

This is a film without much focus, and unfortunately it does hurt the narrative. It jumps from scene from topic to topic as if it were a college presentation on her biography. As a result, the experience becomes a dull one because the scenes little depth to any of parts of her life. Scenes will either mention adversity as a lazy exposition, like her sister mentions that they don’t like her because she is polish. Instead of showing a hatred and unfair treatment she receives, you get scenes like this where she doesn’t seem phased. A lot of what this movie tries to get across were the amounts of hurtles that she was forced to jump over because of her sex and race. These scenes should be frustrating, tense, seemingly impossible so that when she finally is able to succeed, it is satisfying. But this film isn’t able to create any of that and so when she finally does succeed, you are so bored it doesn’t matter.

The tension in this movie is incredibly lacking. I never for once feel like there is any real urgency or threat to her success. When she gets denied repeatedly and even when she is getting sick from the radon, the scenes play out a little too hopeful. This wouldn’t be a problem if the scenes were meant to be hopeful. What is worse, any scene that is able to achieve some semblance of tension are ruined with scenes of future inventions that were only possible because of her work. The movie often times will shift from serious scene, like when she is dealing with the loss of her husband, to a more hopeful scene of the future of her research. This break of tension becomes tedious and annoying as it interrupts the narrative. I do applaud them for trying something different, but this is just filler. I would have liked it better it were left as text at the end of the movie and instead these scenes were replaced with actual content.

It is a shame that this isn’t a better movie because Rosamund Pike is truly wasted in her role. Most sense in this movie don’t allow for her to show her true potential. When there is so much lazy uninspired conversation, needless sex scenes, and a lack of tension, it can be easy to dismiss her performance as Marie Curie. But this shouldn’t be the case. There is a scene that comes to mind when she is looking down at the open casket of her late husband and she breaks down, you can see the frustration and the pain of losing someone so important to her in just this short scene. Even though it was lazily established throughout the movie that she loves her husband absolutely, it is in this scene where she makes you believe it. This scene alone is why I don’t dismiss this movie completely. But it is only a small part of the movie and in the end, not really worth the watch unless you want a quick summary of her life without having to look it up on Wikipedia.

In the end, maybe watch this movie if you want some background noise while you work. It isn’t engaging or interesting enough to maintain your attention but maybe you will learn something. If that isn’t your interest, this isn’t a very good movie and you can skip it.

The Lodge (2019) – Review

This review was a little difficult to complete. Not because of quality of the movie, but it is hard to talk about without spoiling the experience. So, this will be the most careful treading I will do in hopes of convincing you dear reader to watch this movie.

This suspenseful, tense, drama filled story will have you gripping at the edge of your seat as you experience one of the oddest weekends at the lodge upstate. Now, I must warn you, this movie is a slow start, and some scenes are a little long but this works in conjunction with the tone of the movie.

The movie starts off in the middle of a divorce. An awkward, almost silent car ride to the father’s house suggest that no one is happy with the situation. The silence only interrupted by slides towards the father’s new wife. A few awkward conversations, more silence, and a failed attempt to make peace between the kids and Grace (the new stepmother), it is decided that the weekend will be spent at the lodge. I do not name the father because he is barely in the movie save to give the kids and grace the reason to be at the same location. Father goes to work, leaving the kids and grace alone with something darker.

This movie does an excellent job at creating tension. The sterile silence that slinks around the cabin, only to be interrupted by sounds of daily activity echo that the kids do not like the Grace. And this movie is incredibly quite. You hear them fidget with papers. You hear the sound of the drawers when while they are talking to each other because conversations are forced and quiet. Add this to the fact that the lodge is on an isolated part of the lake and you have a creepy thriller that is creepy because of the elements that go into and not cheap jump scares. It proves that movie doesn’t need to really on a scary monster, tons of blood, or a creepy cult to elicit fear.

If you have seen Hereditary and enjoyed it, watch this movie. Although I wouldn’t consider this movie as horror, the suspense it builds is more than enough to have your heart pumping a little faster than it’s used to. Despite it’s slow start and some of the scenes taking forever, it does so much right. I definitely recommend this movie.

Shazam! (2019) Review

I am not a huge fan of live action superhero movies, but I love them in comics and animation. That said, I really wanted to like this movie. Who doesn’t want to see Captain Marvel in action! Unfortunately, this movie leaves a lot to be desired. This movie follows a foster kid Billy Batson who receives powers from an old order of wizards to protect the world form antient evil. If it already sounds generic, that is because it is incredibly so. It is a troubled hero who is searching for his mother so that he can feel complete, only to have this search complicated by this new condition.

What I thought the movie did well was how Billy initially reacts to his newfound powers. Suddenly, he has the powers to be an adult and he takes full advantage, engaging in adult activities teenage boys fantasize on. He buys beer for he and his friend, he goes to a strip club, and he excuses himself from school. It neat to see that he isn’t a completely good hero because his main interests aren’t to be traditional hero, but to use this power for personal gain. But this novelty quickly dissolves under the same tired formula we see in all origin stories. I for one am tired of watching training montages. It was good in Rocky and it worked in Spiderman but at this point, it just feels like padding for a movie that barely has a story. This montage isn’t anything new, it is the same jokes you see in every other movie where you see Billy fail over and over until he has some small form of mastery. If you are still watching the movie at this point, it doesn’t get any better.

What you get after is an uninspired forgettable villain that he must defeat. And he is forgettable. When he shows up for the big fight, I had honestly forgotten he was part of the movie because there is nothing interesting. You get a bit of backstory, but not enough to set him aside as this menace. There is no pressure for him to become stronger like there is in other movies of the genre because the villain is mostly absent from the movie, save for the times he is sprinkled in to remind the audience. Early on you get the feeling that there aren’t any real consequences, even though people do die in this movie it doesn’t matter because you can probably guess that Captain Marvel will win through the power of friendship. It literally tells you minutes into the movie, and as generic as this movie is, you should not be surprised. It is apparent that this movie was just a cheap attempt to cash in on the super hero craze and it is a shame because I have seen DC movies where they are able to tell a compelling story without reverting to the same old tropes.

Because there is no story, this movie lacks the character development to make even Captain marvel forgettable. The movie will flat out tell you important character traits, it’s an incredibly lazy way to fake a story. For example, there is a scene after the training montage where Billy sneaks back into the foster home his foster parents are disappointed that he ran away after the first night. He conveniently walks in at the end of this conversation and somehow understands the trouble he is causing. This is shown through a zoom cut to a remorseful Billy. There are no scenes where they spend time together, breaking down the metaphoric walls he’s built to protect his heart. There are no heart-warming scenes that suggest that maybe this collection of misfits could be his family. Instead you get a kid playing with his superpowers for a day and the movie telling you that Billy is experience character growth because it is written in the script. I wouldn’t have an issue with this if the movie hadn’t put so much emphasis on it’s importance. In the end when things seem the darkest, it is the love for his newfound family that gives him the power to persevere. See, it’s the same thing you’ve seen over and over again but not very well done.

I wouldn’t pay for this movie. If you were unfortunate to pay for it, I am sorry you got ripped off. I wouldn’t even recommend this film if it were free because there is nothing really worth watching. It is a shame because I do prefer the DC universe, but it seems that they aren’t able to get their formula correct. Oh well, skip it.

Good Time (2017) Review

If you want to know what it means to be anxious, watch this movie. The tension, the acting, the suspense and the pacing will have you at the edge of your seat as you watch bad decision after bad decision being made. To put it simply, you get to feel what it is like to be truly cornered by an inescapable fate and it is an amazing ride.

The movie follows Connie Nikas who is on the run from the law after a bank robbery goes wrong. Now he must avoid getting caught as he tries his hardest to get his brother out of custody. His brother gets caught after they robbed the bank. Now it is a race against time.  What makes this movie amazing is how it creates tension through small details that constantly present themselves as he tries to stay hidden. It is clear early on that this isn’t going to be easy for Connie, and it shouldn’t be. While on the run, Connie will pass multiple cops who are currently hunting him down. You learn that Connie is kind of a piece of shit, and you learn through his failed attempts to find asylum that he has no where to go. What do you do when you have no where to hide? You run! And there is a lot of running in this movie. This is a high octane; high tension movie and you will have no choice but to echo the small sighs of relief and respite that Connie finds through out his journey. And these moments are few and become more far in between as he digs himself deeper and deeper into trouble.

As a character, Connie is brilliant. He only cares about two things, himself and his brother and it is echoed throughout the movie as he does whatever it takes to get his brother back. He does so even if it means hurting and using both the people he knows and strangers. Connie is smart, despite his continually making bad decisions. When faced with a problem, he is quick to make decisions. The lies he forms, the quick change in appearance, how easily he seems to move from one problem to the next suggest that he is a veteran at his craft. But he is not the traditional cool headed, or even hot-headed action hero thief as seen in similar films. As he gets more and more cornered, you see him start to break. You can see the toll the chase is taking on him. He is tired, he is thirsty, he is desperate and that makes him human. Being human is important because it adds to the tension in the film. You feel that at any moment, his journey will end with one mistake. And as his journey progresses, you can see that he is learning from it. The key is that through all this chaos, he does experience personal growth and he ends up at the end of the movie changed by the outcome, even if it isn’t the traditional bad ass that we have become accustomed to. Robert Pattinson’s performance alone should be reason to watch the film.

If you haven’t seen this movie, I would definitely recommend it. If you saw Uncut Gems and liked it, then you should watch the far better older brother. It’s a great movie for those who love thrillers but are tired of the same tired formula.

1BR Review

It is another creepy cult movie. A decently done yet still generic film that you shouldn’t spend too much time looking for.

The film starts off with Sarah trying to create a new start in LA. Unfortunately, this new start is brought to her by the creepy cult that owns the 1-bedroom apartment that is about to be the cause of the drama in this movie. Let me say that this movie does a poor job at creating the suspense needed to set the tone that it wishes to achieve. Most plot points are loudly telegraphed through random long shots. When she spends her first night in the complex, the camera pans away from Sara and stops on the units blinking fire alarm. This is obviously a hidden camera set up to watch her and it will most definitely come up later. I do not have a problem with symbolism, but it is ridiculous how much symbolism this film will try to throw at the audience. It is as if the director doesn’t have faith that the audience can come to their own conclusions so the film will constantly hand hold, taking away any creepy tone it was asking for.

Movies of a similar genre are successful because of the suspicion. Take the original Stepford Wives film, although flawed, it presents the audience with this suburban utopia, but it also gives the audience bits and pieces of flaws in society that suggest something nefarious is afoot. You have the women malfunctioning, you have strong independent women suddenly becoming subservient, and you along with the character feel that there is something wrong with the town. In 1BR, you never really get that feeling because you know from the start what is wrong so there is no point in watching the rest.

This movie is incredibly generic. It doesn’t take long for the tenants to take Sarah to try to reprogram her to see the truth. A truth written by some dead guy about the importance of community. It is through these generic tenants that the cult is created and then you just watch her do a whole lot of nothing. The torture is simple and as hard as it tries to emulate other movies that do it, they do it very poorly. Brain washing consists of her stating in an uncomfortable position for hours only being fed once a day with a nasty looking milkshake. The film suggests that hours of standing in this isolated room in the apartment that she rented, hunger, and finally the nails that go through her hands (possibly Christ-like) are enough to brain washing her into joining this society.

The brainwashing obviously doesn’t work and at this point you are halfway through the movie with little hope of it getting better. It zooms past all the tropes presented in far better movies in order to stay within the genre, for example the idea that man is corrupt and selfish and through this new cult, all of man’s problems will be solved. They also do a whole scene where they kill their oldest member because she is no longer of use. Even the big escape and the twist are anti-climactic. There isn’t really any saving grace to this film. I wouldn’t waste my time watching this movie unless it was free. Even then, there are far better movies in this genre you could be watching. This was a pretty meh attempt at brining the genre to an urban setting.

 

Stuber (2019) Review

It’s another buddy cop movie, and not a very good one at that. Even worse, it’s an update to the movie Taxi. Same general idea but surprisingly not as good. If you can get this one for free, go for it. It isn’t a terrible sit, but I wouldn’t pay for this movie because It’s not really worth it. It is incredibly generic save for the forced politically correct jokes that it will interrupt the flow of the movie with. There are scenes where they will play these jokes as an odd nod to millennials and it does not work. Is this a new trend? I saw a lot of this in the newest Men in Black movie and it was honestly distracting. I do not have an issue with these types of jokes mind you, but I do have an issue with how they are delivered in these movies. Often times it will be in the middle of a random scene where the politically correct token character will stop the scene in order to correct something insensitive that was said. Once in a while, sure this might be a funny jest and get a decent chuckle but when it happens every time it loses it’s effectiveness. And in this movie, it becomes a little preachy. I don’t want to be preached at when I am watching a comedy.

Kamail Nanjiani is a token in this movie. His role could have been casted by anyone with a similar build. He is wasted in this film. The acting is not terrible, and you will get some chuckles out of it, but you will not remember watching this movie. The movie does very little to stand out, save for constantly mentioning uber. Batista plays a big dude and they will take every opportunity they get to point that out. Nanjiani is a skinny loser and they will take every opportunity to make sure you know that he is. Like every other movie, they will not get along but because of their journey together they will ultimately forge a lasting meaningful friendship. That is to say, they will become friends because the script says they should.

There isn’t anything deeper to this film and I know that I shouldn’t have gone into this film expecting such but I at least expected some kind of story. Instead what you get is just these caricatures being moved from joke to joke as they are forced to grow closer to one another as is tradition with this genre of film. All this is loosely inter-weaved into some drug case that I honestly forgot was a thing until the very end. The driving force behind this whole adventure merely comes forth in small segments in between all the jokes about uber and bickering between the lead. In the end, several plot points are breezed by and some of them are forgotten if not hastily tied together because they have to remind you what UBER is again.

All in all let’s call this film what it really is, a giant commercial for UBER. The films will stop multiple times to explain different aspects of the app on both the rider and driver side. Take these out and the PC jokes and the movie sadly becomes hollow because there is nothing more to this movie. Who wants to pay money to watch an UBER ride? All in all it is not the hardest sit, there are worse out there, but don’t pay money for this. This is a movie you throw in the background while you do chores or Netflix and chill if that is still a thing.

John Wick 3: Now with 200% More Dog

If you haven’t seen any of the John Wick movies, why are you reading this? Start watching them now. This series doesn’t fail to entertain and will have you on the edge of your seat as you watch John Wick wreck mayhem across New York. Although the series doesn’t necessarily get better with each instalment, it doesn’t get worse like Taken. This movie starts off fun and will stay fun.

What I particularly like about the series is how each film builds off the other. Each film starts off with John Wick dealing with the consequences brought on by his actions in the previous movie. And this movie does have consequences. John Wick isn’t the typical inhuman badass that is ever present in movies of the same genre. John Wick progressively gets tired. You get to see him get hurt and react accordingly. He will limp and the action will slow down showing his mortality. I particularly like this aspect because it is something different. It was nice to see action scenes that weren’t cut to shit to give the illusion of fighting.

Although this film gets a bit repetitive at times, it is worth the watch. The beautifully choreographed fight scenes make up for the lack of story. Don’t get me wrong, this film has more story than other’s in the genre but the story isn’t terribly complex. Someone shoots his dog and he goes on a full rampage. The way it this was executed however is something you need to experience for yourself. And if at this point you haven’t seen the previous instalments; you don’t really need to see them to enjoy the third movie. I didn’t remember the events of the other movies when I watched it and felt like it does a good job catching you up. Although it wouldn’t be a terrible idea to binge all three in one of the most bad ass sitting you will experience.

And of course the best part, this movie comes with way more dog. I can say, you are not ready for the amount and quality of dog you will get from this movie. That alone should be reason for you to strop reading this and watch what is easily one of the best action flicks I’ve seen this year. Forget your superhero bullshit, forget your repetitive money making action trash and go see this.

In closing, love yourself and watch this!

How to be a Latin Lover (2017)

Let me just start by saying that this movie was not what I expected. I’ll admit, I went into this thinking it was another generic romantic comedy that I was being forced to sit through. Although not transcending by any means, this film did a great job keeping my attention. That alone should mean a lot as I do not have the best attention span. And yet I found my self watching every bit of this.

The film follows an incredibly unlikable character Maximo who spends the whole movie trying to find a sugar mama so he doesn’t have to work anymore. Maximo is an asshole, but Eugenio Derbez truly makes him a likeable one. Maximo lives a life of luxury where people constantly wait on him. This means that he will act in the selfish way that we would expect a character of this to act. Although you never truly root for Maximo in his endeavors, Derbez makes him bearable. His and Salma hyaks performance alone is reason enough to watch this movie. The on screen chemistry between Salma Hyack and Derebez. The time the spend on screen together is almost enough to see it just for the banter. And the way they incorporate being bilingual is so natural and made this movie truly a unique experience. Being bilingual myself, I was happy to see people who not only looked like me but also talked like me. It was a nice change from the movies I usually sit through and that’s a good thing

As a tip, don’t go into this film expecting something deep because it is comedy. The story is pretty flat, but it is unique enough that it will keep you entertained. If you want a date night movie, look no further. Even if you are bored at home, this is a great watch. It has a certain charm that you should experience.