Movie Review: Knock at the Cabin (2023)
Knock at the Cabin wasn’t worth the movie ticket price. I don’t recommend you watch this movie in theaters, even if you get the tickets at a discount. If you are considering watching this film, wait for it to come to a streaming service. Even then, I would hold off because the apocalypse couldn’t come fast enough to save me from boredom.
An unsuspecting same-sex couple and their adopted daughter have their vacation abruptly interrupted by four strangers on a mission to save the world. With the apocalypse imminent, the three must choose to sacrifice one of their own, or else unleash the end of the world. Can the family make the ultimate sacrifice to save humanity before it is too late?
Dave Bautista is the only good thing about the movie. I have already forgotten everyone else, even the main characters. This movie isn’t worth sitting through for Bautista’s performance.
My biggest issue with this movie is the pacing. It takes too long for it to get to the point. You sit through a lot of backstories for a relationship you won’t care about and poorly written dialogue that becomes too preachy about humanity. Writing this bad doesn’t deserve a theatrical release.
Do not be tricked by the trailers; this is not a disaster movie. Knock at the Cabin is a pretentious take on the human condition full of lazy takes and little action. You don’t get to see any of the plagues, destruction, or deaths. Instead, you get to watch strangers talk it out. As a result, there is no sense of urgency or time limit. The world might be ending, but it doesn’t feel like it. For this movie to work, it needed higher stakes. I also didn’t care enough about the main characters for the choice to matter. The climax doesn’t feel impactful because I didn’t care about the family, and there was no sense of urgency.
I have been consistently disappointed by M. Knight’s movies for a while now. My expectations were low going into this, but Knock at the Cabin isn’t his worst movie. Dave Bautista is charismatic enough to make this movie less of a chore to sit through, and there were some beautiful moments of cinematography that I genuinely appreciated. That said, don’t watch this movie in theaters. I would wait till it comes out on streaming so that you can skip through the boring bits, but even then, I wouldn’t rush to see it.
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Film Review: The Invitation (2022)
The Invitation is a disappointing horror movie that isn’t worth your time. There are some interesting visual moments in this movie, but they aren’t worth sitting through this movie.
Evie is a struggling artist with no family left who decides to do a DNA test to see if she has any living relatives. She finds a long-lost cousin who flies her out to England to meet the rest of the family she didn’t know about. Evie is shocked to find she belongs to a very powerful and old family in England and quickly falls for a mysterious lord. But within the shadows of the manor, an evil presence hunts for blood. Can Evie discover the sinister motives behind her visit before it is too late?
The acting in this movie is fine, but the writing isn’t. They try too hard to be politically correct, and it comes off too preachy. Evie is constantly voicing her disapproval of the wealthy class, and it gets tiresome. Evie is a very one-note character whose only characteristic is to virtue signal woke buzzwords to a millennial audience that probably didn’t go see this movie.
The writing struggles to keep the plot moving. While I appreciate the beautiful shots of the manor they used as a setting, there isn’t any substance. If the movie isn’t virtue signaling or forcing conflict, it sort of remembers it’s supposed to be a horror movie. There are some solid horror moments in this film that have me wishing this movie stayed a horror movie instead of turning into the cheesy cliche it is. What little suspense this movie can create falls flat when ex-Machina comes to save the day.
With so much content out there, your time is better spent elsewhere. But for those who don’t believe me, watch this on Netflix.
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Movie Review: Gone in the Night (2022)
Gone in the Night shouldn’t be a movie. This movie is the biggest waste of time on the platform. Nothing happens in this movie. There is barely a plot, and the twist is terrible. If you are considering watching this movie, don’t.
Wynona Ryder and her boyfriend plan to spend a weekend in the woods in an effort to save their relationship. But when they get to the cabin, they find that the cabin has been double booked. Another couple is already spending the weekend, but they decide to share the booking. Everything seems fine, but in the morning, Ryder discovers that her boyfriend has run off with another woman. She eventually decides to find out what happened to him, and it unravels to be one of the slowest and most disappointing mysteries you will ever see.
Gone in the Night wastes its talented cast on poorly written and forgettable characters. There is barely a story to this movie. Most of the time you are watching Wynona Ryder go on boring dates and lazily search for her missing boyfriend. What little story exists in this movie is brushed over so you can make it to the next boring date. The narrative exists as an inconvenience because of its collection of fake-deep rants and boring scenes with Winona Ryder. The big reveal is brushed over so quickly, it barely exists. If you are going to make a thriller, give your mystery some screen time.
Gone in the Night is supposed to be a thriller, but it isn’t thrilling. There is no suspense or buildup. Things just happen, and then it just ends. It tries to be deep by ending on a cliffhanger, but who cares? There wasn’t enough development for it to work. Don’t watch this movie, nothing happens. You can stream it on Hulu, but it isn’t worth the data.
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Series Review: The Devil’s Hour
The Devil’s Hour is a trippy thriller full of suspense, drama, and mystery. While the series does have a confusing start, it will all make sense the deeper you get into it. If you are looking for a decent thriller to binge for the holidays, you can stream it on Amazon Video.
Lucy is a single mother trying to give her son, Isaac the best life she can. Isaac is a troubled kid who is incapable of feeling emotions. Isaac is a troubled kid who sometimes sees things that aren’t there. As heartbreaking as it is for Lucy to watch, she is determined to help Isaac lead a normal life. The trouble is, Lucy sees things too. Each day it seems that her visions are getting more vivid, and she struggles to keep a hold of reality. Will she ever make sense of what is going on, or is she slowly losing her mind?
I enjoyed The Devil’s Hour quite a bit. The acting is fantastic, the story is interesting, and the mystery is well done. The pacing can be an issue at parts, but it never got bad enough to make me quit. One thing to note before starting this series is that it constantly jumps between narratives. It can be a bit disorienting at first, but the show does a great job of giving enough clues to keep the viewers grounded. As jumbled as this series may seem, it is a pretty straightforward narrative. You won’t need to be taking notes.
My only complaint with the series is that the ending is a bit disappointing. The story does a great job at building to something big, but then it just ends on an unsatisfying cliffhanger. I hope they don’t cancel this series before I get my closure.
This is a difficult series to review because I don’t want to spoil anything. I think this series is fine and you won’t hate if if you watch it. The Devils Hour is an interesting and unique thriller that you can stream on Amazon if you have a membership.
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Image by S. Hermann / F. Richter from Pixabay
Series Review: The Patient
The final episode of The Patient just released and I can’t help but feel some disappointment. This series is too long for what it is, but it isn’t terrible.
Alan is a therapist who has been kidnapped and imprisoned by one of his patients, Sam. Sam is a serial killer who is desperate to cure himself of his wicked desires. He believes that Alan is the only person who can cure him. Through a series of sessions, Sam hopes to cure himself of his affliction. Will Alan be enough to help Sam, or will he be another of his victims?
First off, the acting is terrific. Steve Carell and Domhnall Gleeson are simply amazing. The chemistry between these two is the only reason I stayed with this show as long as I did. You won’t be disappointed by anyone’s performance in this series. That said, this series has an issue with its pacing. If you watch the series in a sitting or two, it is a bit more palatable as you can more effectively experience the nuances of narrative as they unfold. You get a fuller picture as you watch the growth of both characters under the circumstance, and it makes an okay story. It is still too long for its good, but it makes for a better experience.
Unfortunately, the series was released weekly, and as a result, the narrative felt fragmented. The episodes are short and often weren’t satisfying. There are a few episodes where not much happens, hurting audience retention. This series doesn’t have enough tangible excitement episode to episode that would convince a viewer to come back for more. Watching this series without such a big gap makes this less of an issue because you are getting a more complete narrative experience. Had they combined some episodes, made them longer, or even had it been a movie, it would have been a better experience.
The Patient sits in a weird space for me because while there are some impressive moments, it takes too long to make its point. I do like how they deal with mental illness and how they highlight the importance of mental health. I do love the characters and their motivations. What I don’t like is that it feels like they drag this series on too long for profit, and it hurts the narrative. The Patient isn’t a bad series, and if you need something to watch, it is defiantly an option, but be prepared to skip around a bit. I wouldn’t go out of my way to watch this, but you can stream the whole series on Hulu.
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Movie Review: Athena (2022)
Image by OpenClipart-Vectors from Pixabay
I absolutely adored this film, and if it isn’t on your radar, it should be. Athena is a beautifully shot and stressful journey through a chaotic riot brought forth by racism.
The community of Athena is shaken by the death of a young boy at the hands of the local police. Fed up by the police brutality plaguing his community, Karim takes arms against those who killed his brother. Riots break out, and with the help of the local gangs, Karim wages war against the police. Will he be able to bring his brother’s killers to justice? Will this war bring the change Karim is hoping for?
The film is in French, with subtitles available in many languages. The acting is fantastic, although I only understood bits of it. The big draw to this movie is how perfectly it captures the chaos of the riots. I was blown away by the long sequences that beautifully told this chaotic story. I respect the amount of work and coordination required to make such a massive conflict fit within this movie.
There is some dialogue, all of it is key to the story, but most of the storytelling is achieved through these long sequences. The clashes with the police and the long walks through the war-torn apartments tell an amazing story with very few words. The story told is intense and suspenseful. I was at the edge of my seat, consistently stressed by the escalating conflict throughout the whole experience, and it was wonderful.
Stream it now on Netflix.
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Movie Review: Don’t Worry Darling (2022)
Don’t Worry Darling is a huge waste of time, don’t watch it in theaters. This film’s abysmal failure was rightfully predicted when the only news coming out nearing its release was about the drama that surrounded the filming. If this amateur attempt at horror doesn’t ruin Olivia Wild’s directing career, nothing will.
Don’t Worry Darling is about a dystopian desert community that is themed after the 1950’s American nuclear family fantasy. The men all work at a factory where what they do is a secret. The women are homemakers who look after the house and their husband’s every need. Everything seems perfect at the Valor project. Food is plentiful, there is a lot to do, and everything is perfect. But there is something sinister happening in the desert, and Alice is the only one who suspects such. Alice seeks answers, but the answers she seeks begin to unravel her world. It seems like her life at the Valor project isn’t as perfect as it seems.
Don’t Worry Darling is two hours where nothing happens. The first half hour is dedicated to Harry Styles making out with Alice, while the rest of the run time is padded with more fan service and fake deep sequences. If this movie dedicated as much time to developing its plot as it did with Mr. Styles, this could have been an actual movie. Instead, Don’t Worry Darling is a superficial attempt at replicating a better horror film.
The biggest problem with this movie is that there isn’t enough tension. The editing, the bizarre directing choices, and the acting
aren’t able to make this work. The acting is very inconsistent. In some scenes, the writing and the acting come together nicely and give the audience the false hope that the movie might get better. Most scenes, however, feel as if the actors are struggling to remember the lines they were given minutes before filming. It doesn’t help that most characters are poorly written cardboard cutouts of people. The cast does its best, but nothing can save this atrocity to film.
This is the part of the review where I will spoil the movie. If you are planning to watch it, don’t, but this is a good place to stop. You’ve been warned.
The movie is all set up, full of scenes that take way too long and symbols that overstay their welcome. With all this setup, the big defining twist still manages to come as a surprise. This whole movie exists as a simulation, and only the men know the truth. The women on the other hand have been reprogrammed to believe in the simulation and be perfect housewives. The idea is cool. In the hands of a competent director, this could have been a good movie, but it’s not.
Don’t Worry Darling’s follies make this movie anti-climactic. The villain is poorly written and without any presence. I forgot Chris Pine was even in this movie until he would show up for some poorly written moments. The only reason I knew he was the villain was that he was nearly always accompanied by ominous music. Alice on the other hand suffers from magical competence. She knows something is wrong and knows what to do because the script and director say so. Most events in this movie happen for the same reason. You can argue that it was all programmed to happen, but this movie isn’t good enough for that explanation. As a result, I never cared when Alice was in danger because I knew ex-Machina would save the day.
Instead of wasting so much time on symbolism and fan service, it should have spent time developing its mystery and gas-lighting Alice. There should have been more clues to suggest that this was a simulation. There should have been more meaningful interactions between Alice in the world; maybe it wouldn’t feel so frustratingly magical. There should have been a better director. Olivia Wild tried and failed, and this was the result. Don’t watch this movie.
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Series Review – Roar (2022)
Image by Ian Lindsay from Pixabay
Roar is a horror anthology series on Apple TV that deals with women’s issues. Each episode is a different scary story that tackles a specific issue. The show deals with subjects like discrimination, sexism, and abuse, to name a few. If you like shows like Black Mirror, you might enjoy this more than I did. Ultimately, while many of the concepts were interesting, I was left with a disappointment that makes it impossible for me to recommend this show.
There are a few technical issues that are hard to ignore with the acting and writing, but ultimately the show’s biggest issues are with the pacing and endings. The endings ruin this show for me. The show does a decent job at setting up an interesting narrative, only to fall flat as it struggles to achieve its empowering and happy ending. As a result, this show becomes very preachy, and the narrative suffers for it. I don’t mind morals of female empowerment, but in Roar, it seems forced and out of place.
Each episode is limited by the same simple formula. A woman encounters an issue that gets personified into some kind of magical and inexplicable presence. The presence can be a disease, a person, or even a monster. The idea is that the issue the protagonist faces is tangible and something they can overcome. There is some solid setup and buildup, but it is all wasted on some ex-Machina. The protagonist will always easily overcome their ordeal, and the episodes will sort of just end. It is very anti-climactic and a waste of some interesting concepts. It also creates an issue with the pacing that I cannot overlook. Halfway through the episodes it feels like there is a sudden rush towards a happy ending.
As is tradition with these types of shows, not all the stories are good. Some stand out, but it is always a gamble on what you are going to get. If you enjoy this type of storytelling, you might have a better time than I did. I would suggest you skip it because none of the stories are good enough to earn a recommendation.
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Movie Review: Master (2022)
Master is psychological that is in an interesting spot in the genre. Where some might make their monster more symbolic, Master is clear that the monster is racism. This movie is uncomfortable, and it is not because it is a ghost story. It is uncomfortable because it is an experience that people have had and continue to have despite years of progress. It is very well done and well worth your time.
Master is the story of two African-American women at a prestigious New England university. Gail is the newly appointed Dorm mother and a tenured professor at the school, while Jasmine begins her freshman year there. The film shows how both have trouble fitting into the school’s culture, and it makes important criticisms about race and society.
This movie made me very uncomfortable because it reminded me of a lot of what I went through growing up as a person of color. Being different in a school where most people are white is draining. There is a lot of pressure that is unfairly put on people of color, especially when they try to join a culture that was historically created for white males. The depression, paranoia, and sense of not belonging are real issues that come from the inevitable culture clash. Although my experience wasn’t as bad as what is in the movie, a lot of the emotions and pressures are ones I am familiar with.
Jasmine and Gail are used as mirrors to show that no matter how much one has accomplished, or the amount of progress society has made, racial discrimination continues to be an issue. As much as they try to fit in by changing how they look or talk, they will always be outsiders. Nothing changes. The movie does a fantastic job recreating this sense of isolation and pressure. It perfectly creates monsters out of something so mundane. This film is frightening because the experience and feelings depicted are real.
This is a fantastic and important narrative told by some great actors. Some of the parts do get preachy, and the film slows a bit, but it is an important narrative told properly. Go watch this on Amazon with your Prime Membership.
