I love Guillermo del Torro, so I was justifiably excited about his Cabinet of Curiosities on Netflix. What should have been a weird and horrific anthology turned out to be less of a cabinet and more of a junk drawer. The series is a disappointing collection of uninspired and uninteresting stories that were mostly a waste of time.
The series does have its moments, but it suffers from the same affliction most of these horror anthologies do; not all of the stories are interesting. I would argue that the first two episodes hold up the best, but considering the quality of the rest of the show, it isn’t saying much. I would have published this review sooner, but it was a struggle to finish this series. I had to take multiple breaks in order to finish because I kept losing interest. I’ll be honest, I almost gave up, but I powered through and remember some of it. There are episodes in this series that didn’t leave any impression on me, so I can’t bother to remember any specifics.
It is always difficult to recommend horror anthologies because the quality between episodes is never consistent. While some episodes might stand out, the writing and acting aren’t always there for the whole series. Cabinet of Curiosities continues to prove this theory. If you are looking for quality horror set in the mind of Guillermo Del Torro, look elsewhere. Ultimately, this series holds nothing to be curious about, so don’t bother. But to the nonbelievers, you can stream it on Netflix.
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Series Review – Roar (2022)
Image by Ian Lindsay from Pixabay
Roar is a horror anthology series on Apple TV that deals with women’s issues. Each episode is a different scary story that tackles a specific issue. The show deals with subjects like discrimination, sexism, and abuse, to name a few. If you like shows like Black Mirror, you might enjoy this more than I did. Ultimately, while many of the concepts were interesting, I was left with a disappointment that makes it impossible for me to recommend this show.
There are a few technical issues that are hard to ignore with the acting and writing, but ultimately the show’s biggest issues are with the pacing and endings. The endings ruin this show for me. The show does a decent job at setting up an interesting narrative, only to fall flat as it struggles to achieve its empowering and happy ending. As a result, this show becomes very preachy, and the narrative suffers for it. I don’t mind morals of female empowerment, but in Roar, it seems forced and out of place.
Each episode is limited by the same simple formula. A woman encounters an issue that gets personified into some kind of magical and inexplicable presence. The presence can be a disease, a person, or even a monster. The idea is that the issue the protagonist faces is tangible and something they can overcome. There is some solid setup and buildup, but it is all wasted on some ex-Machina. The protagonist will always easily overcome their ordeal, and the episodes will sort of just end. It is very anti-climactic and a waste of some interesting concepts. It also creates an issue with the pacing that I cannot overlook. Halfway through the episodes it feels like there is a sudden rush towards a happy ending.
As is tradition with these types of shows, not all the stories are good. Some stand out, but it is always a gamble on what you are going to get. If you enjoy this type of storytelling, you might have a better time than I did. I would suggest you skip it because none of the stories are good enough to earn a recommendation.
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Movie Review: Allegoria (2022)
The Harrowing of Hell By Jacob van Swanenburgh. I couldn’t get the rights to the poster, but this painting was referenced in the movie. Source
This movie took a lot of effort to get through because of how unbearably pretentious it is. I had to take multiple breaks just to be able to finish it. That said, I don’t outright hate this movie. I have seen a lot worse, and there are things about this movie I did like, but it is hard to recommend. Unless you like low-budget experimental horror films, I wouldn’t bother.
Allegoria is an anthology of horror stories involving artists encountering evil. Monsters, demons, murders, and the unexplainable are wreaking havoc on the world’s most pretentious artists, and no one knows why. The stories are out of order, but surprisingly, they all connect at the end in a kind of satisfying way. The acting is solid for the most part, but the writing needs a lot of work. There are some clear moments of competence where the filmmaking, acting, and writing come together to create a great narrative, but most of the movie isn’t that.
The problem I have with anthologies is that not all the narratives are good. You get a few good stories, but you have to sit through all the bad ones. Most anthologies have a theme, like Tales From The Crypt. They might exist in the same universe but aren’t always connected aside from the theme and setting. The stories in this anthology are connected by a single event. I would argue that some of the connections between the stories are forced to make them fit the overall narrative. I appreciate the novelty of the storytelling in this movie, but I can’t get over the pretentiousness. Every narrative has a longwinded, eye-roll enduring monologue defining an art form, and there is only so much of that I could take.
I can’t recommend this movie because it is more bad than good. But if you like strange movies that are just okay, you can stream this on Shudder if you have a subscription.
Series Review: The Boys Presents: Diabolical (2022)
There were a lot of ads as well as Reddit posts that tried to generate hype for this series, claiming that it would canonically expand on The Boys universe. I also saw a few ads and posts trying to hype up the fact that the Awkwafina be involved in the series. I love Awkwafina so I was rightfully excited. While the claims weren’t misleading, The Boys Presents: Diabolical doesn’t expand the world or lore in a meaningful way, at least not in a way that is worth your time.
The Boys Presents: Diabolical is an anthology of animated shorts focusing on different stories within The Boys’ universe. Each episode is done in its unique style and focuses on a different group affected by Vaught and the world of superheroes. While the art and voice acting are solid, the stories told aren’t interesting. Out of the eight episodes available, I only found myself liking one, and it wasn’t the Awkwafina one. The series leans on tropes already explored in the main series with the focus being on the other people in the universe. The problem with this is that this spin-off isn’t as good, and the commentary isn’t made as competently.
If you watch this anthology, you will skip some episodes because the story or the narrative style isn’t interesting. I assure you that you aren’t missing out on any meaningful context if you choose to ignore the spin-off. Don’t waste your time with this series. There are better animated series out there more worthy of your time. But if you don’t believe me, you can watch this on Amazon with a prime membership.
