I liked Murder Mystery, so I was excited about this sequel. I wasn’t expecting a comedic masterpiece, but I at least thought it would be entertaining. Murder Mystery 2 is a lazy sequel and a waste of time. It was clear that this movie was made for a paycheck because it lacks any of the charm or humor to make it work. If you want to sit through a boring and predictable mystery, go ahead and queue this up.
The Spitz find themselves in the middle of another mystery. Someone is framing them for a kidnapping they didn’t do, and now the race is on to piece it all together before they are sent to jail. Can they do it in time? Yes, they do, and it is boring.
There isn’t much to say about this movie because no one is trying. The writing is lazy, the mystery is predictable, and the acting is okay at best. As a comedy, this movie is rarely funny. The jokes that did make me laugh aren’t worth sitting through this movie. The mystery is so poorly written that you can solve it in the first few minutes without even trying. You will know who did it as soon as they walk into the scene.
This movie is so uninspired and unremarkable that I have already forgotten what it was about. It was such a waste of time that I considered turning it off after only thirty minutes, but I powered through it knowing it wasn’t going to get better. If you liked the first one, rewatch that instead. If you are curious about this movie, don’t be. It isn’t good You can stream it on Netflix, but I wouldn’t waste my time.
Your Place or Mine
It is no secret that I have been disappointed by the romcoms I’ve had to sit through this year. When Your Place or Mine popped up on my feed, I was justifiably skeptical that this movie would break my streak of sitting through subpar romcoms. Nothing about this movie suggested my experience would be different this time around. I was surprised that this movie wasn’t as bad as I expected. Don’t get me wrong, this isn’t a genre-defining title by any means, but it is a fun one.
Your Place or Mine is the story of two best friends who love each other but are too afraid to act on their feelings. Opportunity strikes when Debbie needs to fly to New York to finish her degree but doesn’t have a sitter for her son. Peter volunteers because that is what friends do. The switch allows the two to move out of their comfort zone until they can examine their feelings about each other. Will they learn about themselves and each other to act on their feelings? Yes, because it is that kind of movie.
You aren’t watching this movie for the story or writing because it is mediocre at best. The plot is riddled with holes, and they force a lot of threads to make this movie work. If you are a fan of the genre you might have a better appreciation, but I couldn’t get past the overall silliness of this movie. Instead, you will be watching this movie for the acting. The leads have fantastic chemistry and enough charisma to make it work. The best friends are just quirky jokes, but the actresses had a lot of fun playing them. I hope to see them in more movies because they were a delight to watch on screen. The whole cast seemed to be having fun with this movie, and as an audience member, I loved watching it.
Your Place or Mine is a dumb date night movie that is fun to watch, but it won’t have the lasting power as some of the classics. The story isn’t great, and the production can be sloppy in places, but the actors make up for these pitfalls. If you haven’t canceled Netflix yet and need something to throw on for date night, Your Place or Mine is a solid contender for the occasion.
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Movie Review: Somebody I Used to Know (2023)
Somebody I Used To Know isn’t the worst rom-com I’ve sat through this year, but it is hard to recommend. The movie is a modern version of My Best Friend’s Wedding but with less charm. I recommend you watch that movie instead. The acting here is fine, but the story isn’t great. If you like the genre, you might have a deeper appreciation for it, but I wouldn’t go out of my way to watch it.
Allie was an ambitious documentarian who has settled on being a producer for a crappy reality tv show about baking on an island. As hard as she works to make her show successful and captivating, it gets canceled. Now without purpose, Allie flies back to her small hometown to figure out what to do with her life. Her plans are complicated when she meets an old boyfriend. Their spark seems to reignite between the two, making Allie believe that this is her second chance to rekindle a lost love. But there is a problem; he is getting married, and the girl he is getting married to reminds her of how she used to be. Will she find purpose in a wreckage of a relationship she helped create, or will she learn to let things go?
The story isn’t great. You sit through fake artsy talk as Alle struggles with selling out. It will try way too hard to be funny, and none of it is interesting. I like that Allie is put in a situation where she has to let things go to grow, but don’t like that she tried to break up a happy couple. I don’t like when these types of movies muddle ethics so that two people are together. I get that sometimes a couple is destined to be together, but destiny in these types of movies means flat characters exist to create easy conflict rather than a meaningful story. The goal here starts off as trying to get rid of a flat foil so Allie can get the life she thinks she wants.
I was surprised to see this movie attempt to divert from the usual formula, but this shift doesn’t do enough to make this movie better. Allie doesn’t find purpose in the guy she wanted, but she will find it in another man. Although Allie was able to move on and follow her dreams, I find her sudden success as a documentarian hard to believe. I didn’t like Allie as the main character and didn’t care about her growth. Don’t get me wrong, Allison Brie gives a great performance, but the movie isn’t good.
The chemistry between the characters is easily the best part of the film. Unfortunately, some characters are terribly wasted in this film and others are just flat and forgettable. I’ve seen worse romcoms so I was able to power through this film without much issue, but it is hard to recommend because this plot has been done a lot better elsewhere. If you are thinking about watching this movie, watch My Best Friend’s Wedding instead.
You can watch it on Amazon if you have a prime subscription, but I wouldn’t go out of my way to watch it.
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Movie Review: At Midnight (2023)
At Midnight is the cheesiest movie the cheesiest romcom that I have seen this year. The writing is bad, and the story is predictable, but it isn’t the worst movie I’ve seen all year. If you enjoy cheesy bad movies, this one is fun.
The movie is about a generic couple that can’t be together because of their social status. Sophie is a famous movie star stuck in a role she doesn’t want. Her life changes when she finds her boyfriend cheating on her, but because of her fame, Sophie must stay in this relationship. Alejandro is a hotel assistant manager who until he meets Sophie, doesn’t believe in love. A secret fling in paradise quickly turns into something more. It soon becomes impossible to keep their love a secret. But can their love survive the pressures that come with fame and status? Of course, it can! This is a cheesy rom-com.
At Midnight takes every chance it gets to namedrop the title, and it isn’t subtle. This obsession leads to my absolute favorite line of dialogue in this whole movie, and it goes like this:
After a few secret dates, the relationship between Sophie and Alejandro becomes more serious. They sneak away at midnight every chance they get just to share a few moments together. As they sit for a romantic movie date, the Paramount Pictures logo shines brightly against the camera so that the couple appears as simple silhouettes. Sophie turns to Alejandro, the logo still visible, and says “Midnight with you is my favorite hour.” Alejandro looks down at her and responds “Midnight isn’t a time. It is a place we can be together.” This is the best example of what kind of movie it is. It’s not a good one, but it is fun if you like to make fun of bad cheesy movies.
The acting is the best part of this movie. Don’t get me wrong, no one is getting an award here, but I appreciate the energy put into the performances. The leads had decent chemistry, and it certainly has its moments. It doesn’t do enough to earn a recommendation, but I had enough fun with this movie that I didn’t mind watching it.
The movie is bilingual, and I have to say I preferred the Spanish bits. It felt like the cheesy telenovelas I used to watch with my grandma, but this movie required a lot less commitment. They aren’t a great example of Mexican cinema, but I found the plot threads a bit more interesting than the English bits. All the English plot lines involved the life of a fake actress and her struggle with identity, but none of that struggle was interesting. At least in Spanish, I got to hear people argue.
This movie is lazy. The plot is very predictable as it follows the same generic plot common in the genre. They even dare to rip off the speech from Say Anything because they probably ran out of ideas. This is a movie riddled with holes and terrible lines, and it will try to distract you with shameless fan service. As much fun as I had with this film, it isn’t good.
I have a soft spot for cheesy movies like this, so I enjoyed it more than I should have. You aren’t watching this movie unless you love this genre or love making fun of the bad ones. It is a lazy generic romcom with a pretty terrific cast. I didn’t mind that I watched it, but can’t recommend it. If you don’t believe me, check it out on Paramount+.
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Movie Review: Sick (2022)
Sick is as good as you’d expect from a thriller horror movie about covid made for a streaming service you probably don’t have. The film certainly has its moments of competence, but it derails and is only worth the trouble if you have nothing else to watch.
The movie takes us back to the time of Covid lockdowns. Toilet paper is out of stock, people sanitize everything, masks are mandatory, and everyone stands six feet apart. A killer is hunting down seemingly random teens, but we won’t know why till the end. The movie will focus on a pair of college girls who quarantine at a secluded cabin. But the killer has followed them to their haven. The two must now run for their lives as they try to survive the night. Can they make it out of quarantine alive?
The acting is fine, but the leads aren’t good enough scream queens to carry the movie. The weakness in their abilities is particularly noticeable towards the end after the climax. I think they did the best they could with what they were given, but I don’t think they would do better in a different movie. The story is dumb, but I appreciate that there was an attempt at creating deeper characters. It was an attempt that ultimately fails, but it was nice to see characters that aren’t the usual archetypes. The movie isn’t terrible. Some very well-done tense and suspenseful moments were pretty scary, but the movie loses its momentum towards the end, making it a flop in my book.
They ran out of ideas after the big reveal. The ending is disappointing. There are a lot of issues with the realism of the movie that I could have forgiven if this movie was more fun. People in this movie tend to teleport and gain almost superhuman survival abilities when the plot asks for it. It isn’t so I suggest you skip it unless you are starving for content.
There isn’t much more to say about this movie. It is a dumb thriller based on a simple concept that doesn’t pan out all the way. You can stream it on Peacock, but I wouldn’t go out of my way for it unless you’re starving for content.
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Movie Review: 7 Women and a Murder (2022)
7 Women and a Murder is a quirky take on the murder mystery genre that I believe is worth your attention. The movie is originally in Italian, but dubbing in different languages is available. I always recommend watching it in the original language, but I get the need for accessibility. The English dubbing is fine, but I felt it lacked some of the intended charm.
Six women have gathered at a beautiful mansion for Christmas. Disaster strikes when the women find that the patriarch has been murdered. Alone and secluded in the mansion, the women must now survive the night until help can arrive. Will they find a killer amongst them, or will the killer claim more victims? Will the women make it to Christmas?
I liked this movie. I thought the story was fine, the acting was great, and the twist was interesting. It is a little slow, but it wasn’t so bad that I felt the need to turn it off. I loved how colorful this movie is. The costumes and mansion seem to have been carefully curated to create some very appealing shots. I particularly enjoyed how the mystery unravels. Each woman has a narrative or secret that they reveal, and the movie does a great job of bringing them together for the big reveal.
This movie deals with the idea of womanhood as it relates to a single man who is absent. I don’t want to ruin the mystery, but it makes valid criticism about the idealized archetypes of women by showing characters who are more complicated.
If you don’t mind reading subtitles and are in the mood for something quirky and different, watch 7 Women and Murder. You can stream it now on Netflix.
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Image by Davie Bicker from Pixabay
Film Review: The Invitation (2022)
The Invitation is a disappointing horror movie that isn’t worth your time. There are some interesting visual moments in this movie, but they aren’t worth sitting through this movie.
Evie is a struggling artist with no family left who decides to do a DNA test to see if she has any living relatives. She finds a long-lost cousin who flies her out to England to meet the rest of the family she didn’t know about. Evie is shocked to find she belongs to a very powerful and old family in England and quickly falls for a mysterious lord. But within the shadows of the manor, an evil presence hunts for blood. Can Evie discover the sinister motives behind her visit before it is too late?
The acting in this movie is fine, but the writing isn’t. They try too hard to be politically correct, and it comes off too preachy. Evie is constantly voicing her disapproval of the wealthy class, and it gets tiresome. Evie is a very one-note character whose only characteristic is to virtue signal woke buzzwords to a millennial audience that probably didn’t go see this movie.
The writing struggles to keep the plot moving. While I appreciate the beautiful shots of the manor they used as a setting, there isn’t any substance. If the movie isn’t virtue signaling or forcing conflict, it sort of remembers it’s supposed to be a horror movie. There are some solid horror moments in this film that have me wishing this movie stayed a horror movie instead of turning into the cheesy cliche it is. What little suspense this movie can create falls flat when ex-Machina comes to save the day.
With so much content out there, your time is better spent elsewhere. But for those who don’t believe me, watch this on Netflix.
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Movie Review: Something From Tiffany’s (2022)
I have been avidly avoiding Christmas movies this season, not because I am a Grinch, but because I couldn’t muster the strength to sit through them. Let’s face it, this genre is the recycling of the same movie every year, and it is getting harder to sit through them. I decided that today I would start getting into the Christmas spirit, but unfortunately, the movie is Something From Tiffany’s.
Something From Tiffany’s is the story of two lost souls who are stuck in their respective relationships. Fate brings these two unknowing souls together by way of New York City taxi. Ethan is at Tiffany’s buying his engagement ring when Rachel’s boyfriend comes in that same night to buy his girlfriend a cheap gift. In a brief moment, the boyfriend gets hit by the taxi, causing the events that will bring Ethan and Rachel together for Christmas. Ethen, being the generic and caring man that he is, rushes to check up on the generic boyfriend, but he ends up switching the ring with the cheap gift. Ethen and Rachel will meet in the hospital, and it is love at first sight. Fate keeps bringing them together, and in a matter of days, they fall madly in love with each other. You can guess what happens from here.
This movie is bad even by the genre’s standards. The acting was surprisingly good, but its narrative is terrible. I always feel bad for the significant others in these movies who have the cruel fate of being love’s cruelest obstacle. Ethan’s girlfriend seemed like a nice girl whose only fault seemed to be that she wasn’t quirky enough. Ethan was ready to propose, but one brief encounter at the hospital was enough to change his mind. Rachel’s boyfriend was a loser, but at least he wasn’t evil which is refreshing.
The idea was to show how the leads were stagnating, stuck in their routines. It was only through finding true love that they can move forward and live their best lives. But is it love that they share? Is it fate bringing these two together? Is it Christmas magic? They are only together for a day before they decide that they are meant to be together. I see this as a relationship fueled more by desire than love. Rachel and Ethan lust for something different and fresh, and this accident gives them that. It is less romantic to think about how this race to fall in love for Christmas is less about fate and more about a change in scenery. Even if they were meant to be together and were previously in bad relationships, they were ready to be engaged, and that is where I have my problem.
I am overthinking a movie that had no effort put into it, but I was bored. Let me have this. There are better movies in this genre. Go watch something like The Princess Switch or Falling for Christmas instead. They are bad too, but somehow they are a little better.
You can stream this on Amazon, but I wouldn’t.
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Movie Review: Guillermo Del Toro’s Pinocchio
I was very excited about Guillermo Del Toro’s Pinocchio. I believed that Del Toro’s artistic vision would bring new life to this ancient fairy tale, but sadly I was mistaken. This movie ended up being a huge disappointment that I struggled to finish.
There is no real need for a synopsis. This movie is the story of Pinocchio set against the backdrop of WWI-era Italy voiced by British actors.
I wish this movie was voiced in Italian because I was not a fan of any of the voices. The singing would have been more tolerable in Italian. If the voices don’t turn you off this movie, the singing sure will. Admittedly, I am not a fan of musicals, but I at least expect the singing to be good and the songs to be catchy. This version of the fairy tale chooses to be a musical without any talented singers or catchy songs to alleviate you from the boring narrative.
The story may have been well-intentioned as it touches on an important moment in history, but it unravels much too slowly. With the added musical numbers, this movie feels longer than it is. This felt like someone was trying to tell in Guillermo Del Toro’s style, but it was an attempt that fails miserably.
This adaptation may look pretty, but it lacks any real substance. I was not impressed. Once again I am disappointed by another of Guillermo Del Toro’s projects, and it is becoming difficult to remain supportive.
You can stream Pinocchio on Netflix, but I wouldn’t bother. I understand that this movie is in select theaters, but that would be a waste of your money.
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Movie Review: Troll (2022)
The Kaiju genre has been growing stale lately. With my recent dispointment in Godzilla Vs. Kong, I had little faith that Troll would be a good movie. I thought this film would be another of Netlix’s generic attempts at a genre, but I was pleasantly surprised when Troll turned out to be a fantastic Kaiju movie.
Nora is a respected paleontologist on the verge of discovery when a giant monster wakes from its slumber. A troll now roams the Norwegian countryside bringing with it destruction and mayhem. Nora might be the only person on Earth with the knowledge to stop the troll. Can she do it before the troll destroys Norway?
Troll is a beautiful entry into the genre with its fantastic actors, great story, and amazing action. This movie takes advantage of Norway’s beautiful landscape, and I recommend this so that you can enjoy Norway’s breathtaking beauty. The monster design for the troll is also fantastic. I was scared Troll would have a terribly rendered, but the CGI in this movie is phenomenal.
I don’t speak Norwegian, but it sounded like the acting was good. The movie does offer dubbing in different languages, but I recommend you watch it in the original tongue for an authentic experience. Nora is a great protagonist, and her actor carries this movie. I found it refreshing when the lead of this movie was a competent, strong, and independent woman. Nora is a terrific character because she isn’t too perfect while remaining a believable badass. Excuse my language; Nora is a badass.
The story is well done. It is easy to follow while giving its audience enough information to follow along. I know nothing about Norwegian Folklore, but this movie gave me enough to understand what was going on without slowing down the pacing. I feel like we’ve come to the point where recent Kaiju movies follow a tired old formula. Troll does touch on some of the genre’s staples but still tells its unique narrative. Best of all, this movie doesn’t waste time on a pointless romantic subplot. Although one may be implied, Nora is only here to stop the troll.
The action is really cool in this movie. The mayhem, the carnage, and the fighting all come together to form a fantastic narrative. There is a bit of propaganda as you get to see the full extent of Norway’s military prowess. There are scenes dedicated to showcasing how well equipt the Norwegian military is. It does slow down the action a bit, but it never gets distracting. Regardless of this minor slowdown, this is an exciting movie. I was on the edge of my seat while I watched Nora save the world.
Troll has made me hopeful for the Kaiju genre. I can only hope that this is the start of something great. If you haven’t seen it, go watch Troll now. It is a unique entry to the genre, and you can stream it now on Netflix.
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