I have seen enough bad Netflix adaptations and spinoffs to be skeptical about the success of Wednesday. While the casting seemed perfect, I refused to get too excited. I was pleasantly surprised by this spinoff. While it may not be perfect, it is a solid series that you should consider watching.
After a terrible prank, Wednesday is sent to Nevermore, a school for gifted outsiders. The school is full of werewolves, vampires, and people who just don’t fit into the rest of society. Wednesday is resistant at first but slowly comes to tolerate the change. There is something sinister lurking in the woods around Nevermore, and Wednesday loves sinister. Wednesday finds herself in the middle of a mystery full of murder, mayhem, and conspiracy. It is enough to put a smile on her otherwise pale and gloomy face. Can she get to the bottom of things before the year is out?
This is the fourth show in this supernatural school genre I have seen this year. While I noticed that are a lot of parallels, it manages to be a unique enough narrative. The story and lore are tame and easy to follow, the aesthetic is visually appealing, and Wednesday is a fantastic protagonist. Some of the writing and acting aren’t great, but it isn’t bad enough to stop watching.
The mystery in this series is well-developed. It will keep most audiences guessing until the big reveal at the end. I can assure you that there is enough misdirection to muddle your theories as soon as you make them. If you are paying enough attention, there are enough clues to solve the mystery early on. It isn’t overtly obvious unless you know what you are looking for, so I would avoid spoilers. It is refreshing to see a mystery with good attention to detail. There is nothing worse than watching a sloppy mystery where the solution is over-rationalized nonsense at the end.
The characters in this series are fine, although they get sloppy the farther removed they are from Wednesday. The acting is inconsistent between the supporting actors unless they are close to Wednesday. It isn’t bad, but it is noticeable. This might be intentional since outside of Wednesday, most characters are one-dimensional.
Wednesday is a fantastic protagonist. I was afraid they were going to make her a generic brooding goth girl, but there is some surprising depth to Wednesday. I like that Wednesday isn’t perfect. She makes mistakes, loses, and is even wrong sometimes, but she learns from her downfalls. She may not admit when she makes mistakes, but she tries harder, attempts to make amends, and experiences meaningful character growth. The series does a tremendous job of building up her growth and highlighting those important moments. Wednesday will not end in the same place where she started her journey.
My only complaint about this series is that the ending is a bit sloppy. I lost interest because the pacing feels rushed as the series tries to close up all the different plot threads it’s set up throughout the season. It still remained an enjoyable experience and one that I recommend to everyone. This is a different tone than any of the source materials. This is a lot more serious dark and structured more like a teen drama. It has a lot of similar themes, but with a lot less fan service. That said, this is honestly one of the better ones of the genre I have seen. You can stream it now on Netflix.
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Series Review: The Mosquito Coast (2021)
The Mosquito Cove is quite possibly the most boring and preachy thriller I have seen this year. The series has two seasons, but I couldn’t gather the strength to finish the second one. I try my hardest to finish everything I review, but this one proved too much for me.
The series focuses on a family of fugitives on the run from the US government. We don’t know what they did to become outlaws, but you will get clues throughout the series to figure it out. The family flees to Mexico where now they are also being hunted by one of the cartels. Trouble seems to be the only constant in their lives, and they seem to be running out of places to hide. This life puts a great strain on the family, and they keep finding it harder to want to keep going. Will they ever find a safe place to call home, or will their dark secrets catch up and destroy them?
There are some interesting concepts in this show that I wish were explored better. I like that there is a dark mystery that follows the family and causes friction between them. The parents did something bad in their past, but no one is saying what that is. The kids grow suspicious of the parents and each day become more defiant. You get the sense that the dad might be the bad guy, but this narrative takes too long to unravel, and I lost interest. I like the idea of having the protagonist be the bad guy so that we, the audience, can slowly learn to hate him along with the family. It would be interesting to be trapped like this family, knowing they should leave but have nowhere to go because of the situation. The series does attempt to touch on this idea, but it isn’t done well.
Eventually, you find out that the parents are wanted, environmental terrorists. This isn’t a spoiler; this series is pretentious about its environmentalism and anti-consumerism messaging. Every episode has at least two speeches about how humanity is destroying the planet or some anti-establishment criticism. It is tiresome. I don’t mind this type of messaging and believe them to be important, but not when it’s this abrasive. It is hard to have to constantly sit through a dull lecture when I was promised a thriller.
The pacing is a huge problem for this series. This story drags without ever getting to the point. As a result, there isn’t enough urgency or suspense for this series to work. I found myself mostly waiting around for anything interesting to happen. I kept hoping this family would get caught so I didn’t have to suffer through this series any longer, but the villains proved too incompetent.
The Mosquito Cove lacks the stakes needed to be considered a thriller. Anytime the family gets into trouble, whether they are being chased by the cartel or caught by the FBI, they easily escape through poorly written ex-Machina. This series likes to pretend to be technical and realistic but bends the rules of reality to allow the family a chance to escape. This isn’t even a family of highly trained spies. Instead, this is a normal family fumbling through the sloppiest of escapes.
I wish this series had the courage to kill off one of the characters. It would make for a better story to have the family deal with death on top of the danger. If one of the kids died, the dad would have to live with the guilt as he continues trying to hold his family together. The mother and the surviving sibling would want to leave but find themselves in a situation where escaping isn’t an option. It would create this crazy dynamic where they need each other to survive, but the grief has since split them apart. Honestly, anything would have been more interesting to watch than what this show actually is.
I couldn’t make it through the second season. It was clear this series wasn’t going to get better, and I have since run out of patience. You can stream this on Apple TV if you have a subscription, but I wouldn’t bother.
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Series Review: The Devil’s Hour
The Devil’s Hour is a trippy thriller full of suspense, drama, and mystery. While the series does have a confusing start, it will all make sense the deeper you get into it. If you are looking for a decent thriller to binge for the holidays, you can stream it on Amazon Video.
Lucy is a single mother trying to give her son, Isaac the best life she can. Isaac is a troubled kid who is incapable of feeling emotions. Isaac is a troubled kid who sometimes sees things that aren’t there. As heartbreaking as it is for Lucy to watch, she is determined to help Isaac lead a normal life. The trouble is, Lucy sees things too. Each day it seems that her visions are getting more vivid, and she struggles to keep a hold of reality. Will she ever make sense of what is going on, or is she slowly losing her mind?
I enjoyed The Devil’s Hour quite a bit. The acting is fantastic, the story is interesting, and the mystery is well done. The pacing can be an issue at parts, but it never got bad enough to make me quit. One thing to note before starting this series is that it constantly jumps between narratives. It can be a bit disorienting at first, but the show does a great job of giving enough clues to keep the viewers grounded. As jumbled as this series may seem, it is a pretty straightforward narrative. You won’t need to be taking notes.
My only complaint with the series is that the ending is a bit disappointing. The story does a great job at building to something big, but then it just ends on an unsatisfying cliffhanger. I hope they don’t cancel this series before I get my closure.
This is a difficult series to review because I don’t want to spoil anything. I think this series is fine and you won’t hate if if you watch it. The Devils Hour is an interesting and unique thriller that you can stream on Amazon if you have a membership.
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Image by S. Hermann / F. Richter from Pixabay
Series Review: The English (2022)
The English is an Amazon original that left me feeling disappointed and a little bit offended. At its core, this is a white savior narrative disguised as something empowering.
Cornelia Locke has made it to America in search of the man responsible for her son’s death. Now she, with the help of a Pawnee Indian she meets along the way, scours the western frontier seeking her revenge. Can she survive the unforgiving landscape of the new world and find the man she’s looking for, or will the unforgiving plains claim another victim?
The show is an average western at best and very preachy. The acting is great, but the story and its pacing aren’t. The series jumps between different stories ineffectively, making this a disorienting experience. While I appreciate the attempt at a more complicated narrative, there is a lot of filler. This is a series that takes too long to get to the point.
The biggest issue I have with this series is how it tries to whitewash history. I was a bit disgusted by the lengths to which this series goes to prove that not all white people during this period were terrible. I don’t believe all white people are bad, I just don’t like how hard they try to prove this.
There is clearly a white savior complex and some virtue signaling at play in this series. You can see this with Cornelia and how she carries herself. Every episode has a moment where she has to talk about how brown people aren’t bad and that we should respect them as people. She has a whole speech about how white people are stealing from the Native Americans. It gets a little much, and I had trouble caring.
I get that Cornelia has a reason to be so kind, but this series goes above and beyond to prove that she isn’t racist. Other white characters in this series suffer from this same complex. Lately, I have been noticing many examples of modern media capitalizing on white guilt and virtue signaling. We don’t need this kind of whitewashing and hand-holding, especially when we are dealing with the terrible aspects of our history. Tell the stories how they are. They are meant to make us uncomfortable because they were uncomfortable stories.
I did not appreciate how this series presents the atrocities of this time as reactions from the good white characters. There is a problematic scene in this series where an entire Native village of Native Americans is slaughtered. You hear the slaughter in the distance, but the focus is on an English man and his overly dramatic anger. I am not saying they should have shown the slaughter, but this type of commentary is insulting. It was as if the series was saying, “we know this was bad, but there were good white people trying to stop this from happening too.” This shifts the focus from a terrible event and puts it on a white man.
I might be taking things a bit too personally, but this theme was too present to ignore. The English isn’t a good redemption story because it is sloppy and lazy. It isn’t a good romance because there isn’t any chemistry, and the romance wasn’t set up properly. It isn’t even a good western because of how cartoonish it becomes. They have great actors who are wasted on such a mediocre story. I am sure there is an audience for this, but it wasn’t for me. I would recommend you skip it, but you can stream it on Amazon Video if you have a Prime membership.
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Image by Philippe Verdier from Pixabay
Series Review: Blockbuster (2022)
I just finished watching the new Blockbuster series on Netflix, and I am here to warn you that it isn’t worth your time. This generic sitcom is a desperate attempt to cash in on people’s nostalgia about the time of video rentals. This is a series that is thirsty for the attention of a modern audience but lacks the charm and humor required to be considered proper entertainment. Even if you are starving for content, there are green pastures elsewhere.
The series is about the last Blockbuster left open and the crew desperately trying to save it from closing. This series is essentially a worse version of Superstore. A version with similar characters and story beats but none of the charm. Go watch any other workplace sitcom instead.
It is a shame that such a talented cast is wasted on such a mediocre comedy. The acting is fantastic, but it deserves better writing. Although Blockbuster makes an attempt at a cohesive story, the jokes are dated, the drama is boring, and the characters are generic. If you are not cringing at how hard this series is trying to make you laugh, you are bored by whatever is left behind.
The biggest issue for this show is how much it relies on pop culture references. Most of the jokes and references are already dated, leaving this series racing toward its expiration. I guarantee that in a couple of months, most of these jokes will be obsolete, leaving the series to fade into further obscurity. I have the unfortunate pleasure of being old enough to understand all the references made in this series, and I can attest that none of them were funny.
The tricky business of relying this heavily on pop culture references as it dates the work. Sure there are some references that remain timeless, and when used correctly, they hold meaning. However, nothing is guaranteed, so it’s best not to use them. You can always tell when a show or movie is lazy when it is desperately pandering to its modern audience. When shows or movies try this hard to be relevant, the script becomes a collection of trending hashtags that will no longer be trending at release. Blockbuster took a dangerous gamble in trying to appeal to both a general and modern audience, but it did not pay out.
I have little else to say about a series this lazy. It is unimpressive, uninspired, and forgettable. Don’t watch it. It may not be the worst show in the genre, but it is a waste of time. For those who don’t believe me, you can stream it on Netflix.
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Series Review: The Bastard Son & The Devil Himself (2022)
The Bastard Son & The Devil Himself is a fun little series about magic, witches, and imperialism. The series is based on Sally Green’s young adult novel, Half Bad. I haven’t read the novel, and I won’t be making the comparison. This review will be treating the series as its own separate entity.
Nathan was born an outcast into a society of witches who hate him because of who his father is. His father, the elusive wolf, is a blood witch who kills witches to steal their powers. Nathan tries his best to live his life as a normal witch, but society makes it difficult. Nathan is constantly having to prove to society that he is good. It seems that no matter hard Nathan tries, his society will never accept him. As a result, Nathan grows up neglected and abused by the witches who fear him for something he played no part in. After 17 years, his father returns for Nathan, leaving a trail of dead witches behind him. Nathan is now tasked with killing his own father, a man he has never met before, to rid the world of its greatest evil. Can Nathan succeed where so many have failed?
While there may be some poor writing choices, stiff action scenes, and out-of-place fan service, The Bastard Son & The Devil Himself is a solid teen drama. The acting is great, the story is fine, and their use of magic is unique and creative. The series makes a decent attempt at world-building. You get a sense of the different factions of witches occupying the world, you get a sense of the different powers and abilities, and you get a perspective of the beliefs and ideologies that make up each faction. The series does a good job of showing the tension that exists between each faction where conflicting ideologies and a need for imperialism become an issue.
The series likes to explore the idea of good and evil by making Nathan a bad witch who only does well while living in a society of good witches who only do bad. It is hard to watch the first couple of episodes because of how badly Nathan is mistreated. It is a wonder why Nathan hasn’t turned evil considering how terrible the witches around him act toward him. It is a powerful theme that they explore pretty well throughout the series.
This series is a teen drama, so it does suffer from a lot of the issues that are common in the genre. The romantic interests seem forced and only exist for the fan service, the writing and dialogue are a bit awkward as it is desperate to be modern, and the plot is predictable. There is an overarching mystery to this series that is easily deciphered based on the tone of the series. It also doesn’t do a good job of setting the boundaries of magic as the power levels and limitations are always changing to fit the narrative. None of these issues ruined the series because I had a lot of fun with it. I was a bit disappointed by the ending, but not enough to turn me off from the series.
It isn’t perfect, but I am not the target audience. If you are looking for a teen drama about witches that isn’t Sabrina, check out The Bastard Son & The Devil Himself on Netflix.
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Image by Karen Nadine from Pixabay
Series Review: Kotaro Lives Alone (2022)
Kotaro Lives Alone is the cutest and most heartwarming anime that you should be watching already. Be warned, this show will take you on a rollercoaster of emotions. Be prepared to laugh, cry, and love as you watch Kotaro make his way in the world.
Kotaro is a peculiar four-year-old who lives on his own. Kotaro is mature for his age and acts like a proper old man from a different time. Kotaro lives in an apartment next to a struggling manga artist. The two will slowly become friends as they spend time together. Kotaro Lives Alone is a story about broken people making friends and dealing with their traumas. The series deals with the themes of neglect, loneliness, abuse, and family while it tells a cute and powerful story.
I watched the English dubbed version and thought the voice acting was great. It is available in the original Japanese with subtitles, but either experience is valid. The art and animation are fantastic for telling this story. Kotaro is so cute, and it’s hard not to fall in love with him as soon as he walks on screen. The rest of the cast is full of broken souls who need Kotaro as much as he needs them. It is heartwarming to see how the characters become friends and go on adventures. This is an anime that is based in reality so don’t expect powers and demons that aren’t metaphorical.
Each episode is made up of different vignettes that neatly come together at the end. You get different perspectives, experiences, and narratives of different traumas as they relate and empathize with Kotaro. This series gets sad, and I cried a lot. If you are someone who gets triggered by abuse or neglect, proceed with caution. It isn’t explicit when it addresses these themes, but it is something to keep in mind. That said, there are a lot of heartwarming moments to make up for it, but they will probably make you cry as well. My only complaint about this series is that I have already finished it.
Go watch Kotaro Lives Alone and thank me later. You can stream it now on Netflix!
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Series Review: The Watcher (2022)
The Watcher is a suspenseful drama full of fantastic actors that is fine at first, but it certainly overstays its welcome. I was fully invested for the first half of the series, but the show becomes tedious towards the end. It isn’t a bad show, and you won’t hate it if you sit through it, but it should have been shorter.
The Watcher is a series based on the real events of a family being sent threatening letters when they move to the suburbs of New Jersey. Strange things start to happen to the family as they attempt to settle into their new lives. There is an ominous force messing with the family. The family grows increasingly paranoid as they desperately try to determine the cause of the unexplainable events in the house. Will they ever find the cause of all this evil?
I have mixed feelings about this series because the pacing is terrible, and the ending is disappointing. I think Netflix was trying to drag this series out, as most streaming services do with their original content, to keep people watching. The slow pacing hurts the narrative, making it hard to recommend. There is too much build-up to an ending that doesn’t deliver a satisfying conclusion. The last two episodes are pointless and add little to the story. This series should need to be condensed to be a more effective narrative
Toward the end, the series gets repetitive. The couple will get a clue and follow the lead toward a big confrontation only to be proven wrong by a new lead. This keeps happening to the point where I grew tired of the couple and as a result, less sympathetic. The Watcher does a fantastic job at showing the growing obsession and paranoia in the family, but it does a terrible job unfolding its mystery. This puts me in a weird place because I love the initial presentation, but hate how diluted it becomes.
If you have nothing else to watch, this is a good choice. Just be aware of its faults. I wouldn’t go out of my way to watch it, but you can stream it on Netflix.
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Series Review: Final Space
Final Space has no right to be as good as it is; you should watch it if you haven’t. I am disappointed that it won’t be getting its proper conclusion anytime soon because a greedy network is holding it hostage. Nonetheless, Final Space is the perfect space odyssey you should be watching!
Final Space is the story of Gary Goodspeed’s destiny. Gary is serving his prison sentence alone in space when a mysterious, planet-destroying space creature finds him. Gary befriends the strange creature and names it Mooncake. But the friendship between Mooncake and Garry sets off a series of events that will change the universe forever. Now Garry and his newly found crew of misfits must save the universe from an ancient evil.
Final Space is an epic and emotional adventure I wasn’t prepared for. Do not let the art style and general goofiness fool you, this is a serious adventure full of love, loss, action, and betrayal. Final Space is sci-fi done right. There is fantastic world-building, memorable characters with proper development, actual stakes, and a narrative that will keep you on the edge of your seat. I laughed, I cried, but I need more.
My only complaint about this show is that there aren’t any plans for a final season. It is also difficult to find copies of the seasons that have been released because it is no longer available for streaming anywhere. You can find the first two seasons on Amazon for purchase right now, but that might change soon. It is worth the trouble if you can find it anywhere else, even if it is a physical copy. I can only hold onto the hope that one day it will miraculously get the proper conclusion that it deserves. Take my word for it, go watch Final Space, and don’t forget to thank me when you do.
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Series Review: The Midnight Club
The Midnight Club is a huge waste of time. Even if you enjoy horror anthologies and mysteries, this is a very weak entry into either genre. I wouldn’t bother with this series even for the morbid curiosity.
The Midnight Club is a collection of poorly written and acted ghost stories that exist within a mystery. In a hospice designed for teens with terminal diseases, a club was formed to help cope with the ever-looming death around them. The teens gather every night to tell ghost stories and blow off steam. But there is something sinister is afoot. The teens see ghosts and hear voices that aren’t there. There is something about a cult, but I honestly stopped caring pretty early on.
The acting is bad, and somehow the writing is worse. Scenes that exist outside of the ghost stories fair a little better, but barely. The biggest issue I have with this series is with the ghost stories. The stories are generic, and often parodies of better horror stories or movies. This would be fine if the intention was to parody, but it isn’t. This is a serious attempt at horror with very little value. Each story comes with an overbearing and poorly read narration that kills any tension the story could have. Some of the stories recap events that have occurred in the series, making this a redundant and uninteresting mess.
I wouldn’t mind if this show was a horror anthology if there wasn’t so much narration. I wouldn’t mind the stories if they didn’t take away from the overarching mystery. This series feels like several different shows, and none of it is cohesive. I often forgot there was a mystery tying the series together. I can’t tell you how many times I almost gave up on this series because nothing of note ever happens. This series has ghosts, tragic backstories, cults, death, and none of it matters.
The pacing is terrible. There is a lot of filler in this series. Most of it comes from the ghost stories, but there is a fair amount of self-service. The ghost stories are often interrupted by snide remarks or criticism from the other characters, and it kills any suspense the stories have. There are minutes dedicated after the stories to remark on how great the story and storyteller are. The main character won’t go an episode without talking about how smart and talented she is. It is infuriating how pretentious these characters can be.
The series does have a few interesting moments. I liked how the kids dealt with their mortality and talked about their illnesses. There are some interesting conversations about the social struggles they face due to their illness, but there isn’t enough to make it worth your time. Other than their illnesses, the characters have no depth to them.
Don’t watch this show because it is bad. The characters are flat, the plot doesn’t matter, and the acting isn’t even good. But if you don’t believe me, check it out on Netflix.
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