Tag Archives: 2022

Series Reviews

TV Series Reviews: Halo (2022) First Impression

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I honestly forgot this show was in the making. It’s been a while since I’ve played any of the Halo games, and while I am not the biggest fan, I do remember enjoying it. I went into this series with the faintest memory of the story, making this a whole new experience. My advice to you is to do the same. You shouldn’t hold onto the expectations that come with the hours of nostalgia this game has created for you, but rather go into this with the idea that this is a new sci-fi show with a halo skin on it. 

I think this show intended to reboot the series and introduce it to a new generation. This will offend the die-hard fans who are expecting this show to expand the lore they have already spent hours of investment in, but I am far enough removed from this that I can only hope that it will succeed in creating a whole new narrative that can garner a new fan base. I am still waiting for a sci-fi show as magical as Firefly.

There isn’t anything objectively bad in the first episode. The acting and graphics are fine, but it is too early to tell whether or not this new narrative will live up to any hype. The first episode spends a lot of time introducing this new story, and so far, I fear it might end up being another generic sci-fi show that gets abandoned halfway through. Unless they can break away from overdone and easy tropes, I don’t see much of a future for this show. For this show to be successful, it needs to be able to tell a story that is unique to the Halo universe. 

 But it is still the first episode, and thus too early to make any fair judgment. Based on the pacing, it will probably take two or three episodes for this show to find its footing. Until then, I can only be hopeful. If you are interested, I would wait for the release of a few more episodes as the first episode doesn’t do much to hook the audience. But for those of you who don’t have Paramount+ and want to check it out, the first episode is on YouTube. 

Watch it Here!
Series Reviews

TV Series Review: Upload Season 2

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I need to revisit my initial review of this show because of how disappointing the second season is. The second season of Upload is full of plot holes, filler, and bad acting. There seems to be a trend with shows that go to streaming where they are made too long to be watchable. You see this a lot with those true crime docuseries. Instead of a meaningful story, you get filler. Filler served its purpose when shows were released weekly, but filler has no place in streaming. Filler is the death of good storytelling. The second season of Upload is more filler than story. 

I enjoyed the first season of Upload. It is a cheesy love story that explores philosophies about life, death, and personality. It isn’t revolutionary, but it has its charm. All of this charm is gone. The second season turns into a generic and boring spy thriller with a plot riddled with plot holes and obvious twists. There is maybe an hour of meaningful content within the second season; the rest is boring filler. Any growth or interesting plot points made in the first season are forgotten and replaced with a story that isn’t worth your time. The characters are unlikable, the holes are too many to ignore, and there isn’t anything to care about. I don’t care about Nathan and Nora’s relationship. I don’t care about this weird rebellion that is brewing. I don’t care about who killed Nathan, and that is a huge plot point in the first season. I don’t care because everything takes so long to happen that I lost interest. The only reason I stuck with this show was that I loved Ingrid’s character arc.

Ingrid had the best character development until it is ruined by mediocrity. In the first season, Ingrid is presented as this shallow, entitled, and vain character, but there are meaningful moments where she allows herself to be vulnerable and be compassionate. You learn that her attitude results from her complicated relationship with her family. In the second season, Ingrid begins to do a lot of self-reflection. She begins to work through the guilt she has about Nathan’s death. Ingrid realizes that she is alone, and her personality is to blame. There are powerful moments in this season where she begins to grow as a character as she learns from her experience. She even expresses a desire to become more compassionate, loving, and motherly. The tragedy of Ingrid is that she wants someone to love her as much as she loves Nathan. 

I really thought this show would have her become a more complex character as she works through her flaws. I wanted her to realize that she doesn’t need the approval of her family or Nathan to be happy. She could have had interesting character growth, but she doesn’t. Instead, they make her the crazy obsessive ex-girlfriend. There is also a clone of Nathan now because the writers want to lazily set up an ending where everyone ends up with their true love. Gag. There is no risk, no tension, so why does it matter?

Don’t waste your time on this show. It isn’t worth your time or your data.

Movie Reviews, movies

Movie Reviews: Scream (2022)

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It is tricky to recommend the new Scream movie. Unless your movie ticket is $2, I would not bother watching it in theaters. Streaming it at home would be a better option, but this movie isn’t anything special. The meta-ness of this movie is a bit drawn out. I get that you should rush to see. The meta-ness is a bit much, and the story suffers for it. I get that the meta-jokes are part of the charm of the series, but they get abrasive and overstay their welcome. Sometimes they do work, but more often than not, it is unnecessary commentary about itself. Jay and Silent Bob Reboot does the same commentary better.

I will say that this is a better reboot than the newest Holloween. Scream doesn’t feel as drawn-out, nor is it a vanity project for the original cast. But this movie is drawn out, and a lot of this comes from its meta-ness. This movie will stop often to explain elements of horror movies or spoil itself when all I want to do is watch a scary movie. This movie has potential, and there are moments where the meta-ness works, but it never quite gets there.

The best scene in the whole movie is its opening. While it is clearly an homage to the original, it is excellently executed, and it sets a tone that the rest of the movie never lives up to. It builds some great tension, there is the perfect amount of meta-ness to story, and Jenna Ortega’s performance as the first victim is the high bar that the rest of the movie will continue to fail to achieve. This scene alone gave me the hope that now fuels my disappointment in this movie. 

The main issue with this movie is its characters. The legacy characters are fine, but the new cast is forgettable. The main character is boring. Melissa Barrera isn’t a good choice for the lead. But to her credit, the lead is poorly written. If Sam isn’t dealing with her father being the original killer, she is spouting unwarranted one-liners that never fit her character. I think they were trying to redefine the role of the scream queen to be strong and independent, but there isn’t enough evidence in this movie to support that she is strong and independent. There is a scene in this movie where the killer tells Sam that she “You aren’t strong enough for this movie.” This is the best meta moment in this movie because it is true. Her performance isn’t up to par with the rest of the cast, and the rest of the cast barely does any better. 

This movie is just alright. If you are a fan of the series, it is better than some of the sequels and you might appreciate it more than most. If you aren’t a fan, I think it is better to wait for streaming to be available. I have seen a lot worse, but it isn’t worth the ticket price.