Triangle of Sadness is one of the most pretentious and shallow movie I have seen to date. I am glad I didn’t see this in theaters because this would have been a waste of money. Nothing happens in this movie.
A cruise ship full of the wealthy and elite shipwrecks on a deserted island. Here on the island, their wealth and status are meaningless. The survivors now must earn their survival, casting aside the excessive luxury they were accustomed to.
The acting is easily the best part of this movie, but the writing is terrible. There is nothing subtle about this movie. Triangle of Sadness wants you to know that capitalism is bad and will take the entirety of its run time artistically and redundantly making this point. This movie could have been shorter. Maybe if this movie spent less trying so hard to be artistic and actually told a meaningful story, I could have recommended it. Instead, my recommendation is that you spend your time on better content.
I don’t have much more to say about this movie because nothing happens. There were a few interesting scenes, but nothing worth sitting through this movie for. You can stream it on Hulu, but I wouldn’t bother.
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Cocaine Bear is one of those dumb movies that you shouldn’t take seriously. While it fared better than I expected, it isn’t worth the trouble to watch it in theaters. If you are curious about this movie, wait for it to come to streaming so that you can skip all the boring bits. It isn’t a bad movie, but it isn’t worth the price of a movie ticket.
Cocaine Bear is a horror comedy about a bear addicted to cocaine that terrorizes a forest in Tennessee. The story focuses on three unsuspecting groups trying to survive the sudden bear attack. This movie is as dumb as you’d expect.
The acting in this movie is solid. The actors have great chemistry, and the bits of the plot that aren’t serious is a lot of fun to watch. The bear looks a bit cartoonish, but fitting of the movie’s tone. I loved the bear, and every scene that involved the cocaine bear was a lot of fun. Unfortunately, when there is no bear, this movie is boring. One moment you are crying from laughter as you watch cocaine-induced carnage, the next you will sit in silent disappointment as you have to watch boring development for characters you won’t care about. There clearly wasn’t enough for a movie, so there is a bit of filler you can skip past. This movie needed more bear.
There isn’t much more to say about this movie. It is a dumb movie that knows it is dumb. While some of the decisions pay off, not enough of them do to be worth watching in theaters. That said, you need to watch Cocaine Bear at least once to appreciate how dumb it is, but I recommend you wait for it to come to streaming.
I just received my press pass to attend GDC! If you like what I do and want to help me out, consider buying me the coffee I’ll need to get me through the week.
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I just watched We Have a Ghost, and it is a bad movie. If this movie shows up on your feed, please ignore it. This movie isn’t worth the two hours it is trying to claim from you. There isn’t even enough movie to fill the run time. We Have a Ghost was made to pad Netflix’s already disappointing library. Stay away.
A generic dysfunctional family moves to a decrepit house hoping for a new beginning. But to their surprise, there is a ghost living in their attic. The generic brooding teenager, Kevin, is the only one to discover that Ernest, the ghost, is friendly. Kevin decides to help Ernest find peace in the afterlife. But some forces want to use Ernest for their selfish goals. Will Ernest find peace before it is too late?
We Have a Ghost is a lazy attempt at rebooting Casper. The plot is full of holes and cliches. The characters are so generic that they are forgettable. It is clear who is in this movie for the paycheck because the acting is mediocre. I don’t blame them because the writing is terrible. No talent in the world can make this movie work.
The biggest problem with this movie is the lack of substance. Nothing happens in this movie. It spends two hours setting up different storylines that don’t lead to anything. All the buildup leads to the most predictable and lazy ending. There was no clear direction for this movie, just an idea and some lazy gags to pad the run time. If you cut this movie down to its most impactful story elements, you are left with maybe five minutes of the movie.
Do not watch We Have a Ghost. With how much better content there is out there, you have better ways of spending two hours. But if you don’t believe me, check it out on Netflix.
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The first four episodes of Hello Tomorrow! are available for streaming on Apple TV. So far, I am enjoying the series. I love the 50s retro aesthetic, and Billy Crudup’s performance is fantastic. I did find the story lacking in places, but it is good enough for what it is.
Jack Billings and the small team he leads sell timeshares on the moon. Jack is a successful businessman who can close his sales. But fate has other plans for Jack. A terrible accident puts his ex-wife in a coma and his estranged son back in his life. In a strange change of character, Jack chooses to take the opportunity to right some of the wrongs in his life. Will this sudden change in character destroy the enterprise Jack has worked so hard to build, or will it be the positive change he didn’t know he needed?
If you watch this series, it’s for the aesthetic and the performances. While the story isn’t bad, it is easy and predictable. There are a few weak and forgettable story threads, but the series isn’t bad. It seems that they traded story for style, but it’s not necessarily a bad trade. The retrofuturism in this series is so pretty. They get very creative with the technology without ever losing their 50s aesthetic.
The series will have ten episodes total, with the last episode airing on April 7. 2023. You can wait for April to binge it in one go or watch the new episodes on Friday. They’ve done a good enough job with the pacing that I don’t have a problem returning every Friday. While it is not a show I will be rushing to finish, I am curious enough to see how it ends.
If you have an Apple TV subscription and want something to watch, check out Hello Tomorrow! So far, it’s been a solid series.
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Somebody I Used To Know isn’t the worst rom-com I’ve sat through this year, but it is hard to recommend. The movie is a modern version of My Best Friend’s Wedding but with less charm. I recommend you watch that movie instead. The acting here is fine, but the story isn’t great. If you like the genre, you might have a deeper appreciation for it, but I wouldn’t go out of my way to watch it.
Allie was an ambitious documentarian who has settled on being a producer for a crappy reality tv show about baking on an island. As hard as she works to make her show successful and captivating, it gets canceled. Now without purpose, Allie flies back to her small hometown to figure out what to do with her life. Her plans are complicated when she meets an old boyfriend. Their spark seems to reignite between the two, making Allie believe that this is her second chance to rekindle a lost love. But there is a problem; he is getting married, and the girl he is getting married to reminds her of how she used to be. Will she find purpose in a wreckage of a relationship she helped create, or will she learn to let things go?
The story isn’t great. You sit through fake artsy talk as Alle struggles with selling out. It will try way too hard to be funny, and none of it is interesting. I like that Allie is put in a situation where she has to let things go to grow, but don’t like that she tried to break up a happy couple. I don’t like when these types of movies muddle ethics so that two people are together. I get that sometimes a couple is destined to be together, but destiny in these types of movies means flat characters exist to create easy conflict rather than a meaningful story. The goal here starts off as trying to get rid of a flat foil so Allie can get the life she thinks she wants.
I was surprised to see this movie attempt to divert from the usual formula, but this shift doesn’t do enough to make this movie better. Allie doesn’t find purpose in the guy she wanted, but she will find it in another man. Although Allie was able to move on and follow her dreams, I find her sudden success as a documentarian hard to believe. I didn’t like Allie as the main character and didn’t care about her growth. Don’t get me wrong, Allison Brie gives a great performance, but the movie isn’t good.
The chemistry between the characters is easily the best part of the film. Unfortunately, some characters are terribly wasted in this film and others are just flat and forgettable. I’ve seen worse romcoms so I was able to power through this film without much issue, but it is hard to recommend because this plot has been done a lot better elsewhere. If you are thinking about watching this movie, watch My Best Friend’s Wedding instead.
You can watch it on Amazon if you have a prime subscription, but I wouldn’t go out of my way to watch it.
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At Midnight is the cheesiest movie the cheesiest romcom that I have seen this year. The writing is bad, and the story is predictable, but it isn’t the worst movie I’ve seen all year. If you enjoy cheesy bad movies, this one is fun.
The movie is about a generic couple that can’t be together because of their social status. Sophie is a famous movie star stuck in a role she doesn’t want. Her life changes when she finds her boyfriend cheating on her, but because of her fame, Sophie must stay in this relationship. Alejandro is a hotel assistant manager who until he meets Sophie, doesn’t believe in love. A secret fling in paradise quickly turns into something more. It soon becomes impossible to keep their love a secret. But can their love survive the pressures that come with fame and status? Of course, it can! This is a cheesy rom-com.
At Midnight takes every chance it gets to namedrop the title, and it isn’t subtle. This obsession leads to my absolute favorite line of dialogue in this whole movie, and it goes like this:
After a few secret dates, the relationship between Sophie and Alejandro becomes more serious. They sneak away at midnight every chance they get just to share a few moments together. As they sit for a romantic movie date, the Paramount Pictures logo shines brightly against the camera so that the couple appears as simple silhouettes. Sophie turns to Alejandro, the logo still visible, and says “Midnight with you is my favorite hour.” Alejandro looks down at her and responds “Midnight isn’t a time. It is a place we can be together.” This is the best example of what kind of movie it is. It’s not a good one, but it is fun if you like to make fun of bad cheesy movies.
The acting is the best part of this movie. Don’t get me wrong, no one is getting an award here, but I appreciate the energy put into the performances. The leads had decent chemistry, and it certainly has its moments. It doesn’t do enough to earn a recommendation, but I had enough fun with this movie that I didn’t mind watching it.
The movie is bilingual, and I have to say I preferred the Spanish bits. It felt like the cheesy telenovelas I used to watch with my grandma, but this movie required a lot less commitment. They aren’t a great example of Mexican cinema, but I found the plot threads a bit more interesting than the English bits. All the English plot lines involved the life of a fake actress and her struggle with identity, but none of that struggle was interesting. At least in Spanish, I got to hear people argue.
This movie is lazy. The plot is very predictable as it follows the same generic plot common in the genre. They even dare to rip off the speech from Say Anything because they probably ran out of ideas. This is a movie riddled with holes and terrible lines, and it will try to distract you with shameless fan service. As much fun as I had with this film, it isn’t good.
I have a soft spot for cheesy movies like this, so I enjoyed it more than I should have. You aren’t watching this movie unless you love this genre or love making fun of the bad ones. It is a lazy generic romcom with a pretty terrific cast. I didn’t mind that I watched it, but can’t recommend it. If you don’t believe me, check it out on Paramount+.
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I would like to take a moment to thank Catherine for buying me coffee and for her kind words. I can’t function without coffee and I appreciate every drop I drink. I wish you well on your journey hope you stay blessed. Thank you so much for your support! It means the world to me.
Babylon is a fictional snapshot of the end of the silent film era. It follows different players as they struggle to adapt to the evolving landscape of cinema. Things move too fast in Hollywood, and not everyone can adapt fast enough. Those left clinging to a world that has become obsolete struggle with the harsh reality that the world has moved on without them. It is a tragic tale and one that this movie does well.
The music is fantastic, the acting is phenomenal, and the stories are well done. Unfortunately, this movie isn’t going to be for everyone. A lot of this movie focuses on the uncomfortable debauchery of the era. This movie is filled with drugs, nudity, and sex. Keep that in mind if you find the overuse of these themes problematic. I was fine with it, but I think it was a bit overdone. This movie could have been shorter and better without as much indulgence, but it wasn’t so much that it ruined the movie. The real issue I have with this movie is that it will sacrifice the story for its raunchy scenes. You have to sit through a lot of wild parties before you get any development. I understand that it is important for describing the era, but this movie could have been shorter.
I liked the structure of this movie and how quickly it moves through its many plot points. This movie made me feel like I was on as much cocaine as the people in the movie. It gave me well-earned anxiety and kept my attention for the most part. The constant shifting between stories was a bit jarring, but a great emulation of the pacing emblematic of Hollywood. This movie also does a great job of showing the changing of an era. One moment, an actor rules the world surrounded by adoring fans, and in every theater, the next moment, he struggles for relevance as he is no longer compatible with the scene. This movie does an excellent job of showing the tragedy of washing out in Hollywood.
Babylon does a fantastic job of dramatizing the cruel revolving door that shows business. It does a great job at not only capturing important moments in cinematic history but also showing how quickly it evolved from silent films to what we have now. I enjoyed this movie flaws and all, but I wish it was shorter. I don’t think this movie is worth the full ticket price, so I suggest you wait for it to come to streaming. Three hours is much too long to spend in the theater with a movie like this. If you are interested in the movie and don’t mind the debauchery, check it out when you have time. It isn’t something I would go rush to see, but it’ll pass the time and it tries something interesting.
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I wasn’t a fan of You People because it is a lazy movie at its core. It has good actors who give fantastic performances, but this is a movie that sacrifices narrative in order to make its pretentious points about racism. If you are interested in watching this movie, you won’t hate it, but keep in mind that it isn’t the quirky rom-com that you think it is.
The story is about an interatrial couple and the struggles they face as their cultures clash. There is also a subplot about a podcast, but there really isn’t much more to this movie.
The acting is fine, but the leads share no chemistry. It feels as if the only reason the two are together is to create the uncomfortable situations the movie is brimming with. The white family will constantly make tone-deaf statements as they desperately attempt to not appear racist. The African-American family seems to be equally one note as they become the foils to the Jewish family. This back-and-forth gets old almost instantly, but I can’t deny that the performances were excellent.
This movie seems to be shamelessly made to make white people uncomfortable. While I appreciate some of the commentary it makes, the tone is directed toward a particular audience. I find it problematic to exclude a group of people from a conversation about racism. This movie also boils down such a complex issue into something too simple for cheap laughs. I felt like this movie doesn’t do anything other than try to make its audience uncomfortable.
These uncomfortable moments and discussions are tied together by its poorly and barely existent plot. This relationship exists outside of various clashes and unintended racism which would be fine if this wasn’t a rom-com. If you take away these moments, you get a couple of montages and a crappy podcast. I was not a fan of the fact that I had to sit through a fake podcast full of bad takes because there wasn’t enough plot for a movie. I am very upset that this movie forgot it was a rom-com, but remembered the main character’s rise to a successful podcaster.
I can’t recommend this movie because there really isn’t much to it. While there are some great performances and some valid humor, it doesn’t do enough to earn a recommendation. There are older rom-coms that deal with the same subject but do it better, I recommend you watch those instead. I wouldn’t go out of my way to watch this movie, nor do intend on rewatching it, but you can stream it on Netflix if you have nothing better to do.
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If I had to only use one word to describe the comedic cinematic genius that is Shotgun Wedding, it would be cheap. This film is a collection of cheap action sequences, cheap CGI, and cheap jokes bundled in a cheap script to fill up a digital catalog. This movie required more suspense of disbelief and patience than I am capable of. With how hard Amazon is advertising this movie, I expected something that didn’t feel like a bargain bin direct-to-vhs action movie. If you are desperate to watch a JLO comedy, The Wedding Planner is a better movie.
A generic couple plans a destination wedding in the Philippines. Conflict between the couple has slowly been boiling over until they get into a huge fight on the day of the wedding. Luckily for them, pirates have crashed their wedding and taken their guests as hostages. JLO and her husband are now forced to work through their relationship while they attempt to save the day. Can they do so before the pirates start killing hostages? Yes because this is a poorly written movie.
The acting in this movie is lazy, and most actors seem to be there for the paycheck. To be fair to the actors, there is only so much that can be done with this script. The plot is dumb, and there clearly wasn’t enough of an idea for a movie. If you cut out all the filler and the ending karaoke scene no one asked for, there are 30 minutes of “plot” left for your enjoyment. Less than half of that is enjoyable. I would be lying if I said this movie didn’t make me laugh. This movie had its moments, but most of them are in the trailer, so there really isn’t a need to watch it for an additional joke or two.
I am tired of the JLO character at this point. She plays the same character in all her movies, whether she plays a stripper or is playing herself. I understand that a lot of this has to do with the fact that she doesn’t have the range to play any other character. Here it’s problematic when the lead needs to be more charismatic than JLO is capable of being. She didn’t has no chemistry with the husband, her comedic timing is inconsistent, and she was too goofy for the action bits. Maybe one day they will find a role where this character works, but not today.
I can’t recommend this movie because I don’t really count it as a movie. It doesn’t take advantage of its cast, there is no plot, and it’s barely funny. It may not be the worst comedy I have seen, but your time is better spent elsewhere. For those curious, you can check it out on Amazon.
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I was a huge fan of That 70’s Show when it was out, and I’ve rewatched it a few times already. I was excited when That 90’s Show was announced because I thought we were getting a proper reboot. I spent a lot of effort avoiding all the news and rewatching the original series because I didn’t want this review to be affected by nostalgia. Unfortunately, this series makes it impossible to separate nostalgia from my critique because it is a carbon copy of the original. I don’t know who this series was made for, but it wasn’t for me.
The series is about Eric and Dona’s daughter, Leia, and her summer in Point Place, Wisconsin. Leia is an awkward nerd who on her latest visit to Wisconsin, has made her first group of friends. The series focuses on the adventures she has that summer.
The adventures Leia has are pretty much the same ones they had in the original, only slightly modernized to fit the 90’s aesthetic. You get the same story beats, jokes, and even characters but with a lot less of the charm. This series might have been better if I hadn’t watched the original.
I foolishly expected this to be a continuation of the narrative we got in That 70’s Show. I was expecting an adult gang that has grown from their experiences and has to deal with a more modern canvas of issues. The original cast does appear, but only for short cameos where they exist as jokes for a quick laugh. They have learned nothing and added nothing to the story.
The cast is great, and they give a fantastic performance, but the writing holds them back. You get the same group of characters, story beats, and even jokes that have only been slightly adapted to fight the 90s aesthetic. I would have preferred this to be its own show that didn’t have to constantly rely on the nostalgia of the original for it to be entertaining.
My biggest issue with this series is how overbearing the live audience tracks are. The constant laughter and reactions get old and distracting instantly. There are scenes where the audience laughs after every single line of dialogue. I get that it was a callback to the original series, but it just highlights how painfully unfunny this series can be.
That said, this series isn’t terrible. When it tried to do its own thing, it earned its laughs. There are even some nice character moments. Unfortunately, there aren’t enough of these moments to save this series for me. More often than not, I found myself bored by the characters, story lines, and jokes.
If you are a fan of the original series, I don’t think it’s worth it. It is okay, but it is trapped repeating the same thing in a lesser package. If you haven’t seen the original series, there are funnier sitcoms worth more of your time. I wouldn’t go out of my way to watch it, but it is on Netflix if you need it.
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