With the third season of Mythic Quest now fully released, I feel disappointed with how it all unfolded. I am a fan of this series, but I found it nearly impossible to finish this season. Don’t get me wrong, I still recommend this series if you haven’t seen it, but this season has left a lot to be desired.
Mythic Quest is a comedy series that satirizes the gaming industry as it follows the work life at the world’s most popular MMORPG of the same name. The series focuses on a collection of wacky characters and their budding personalities as they try to make Mythic Quest a game worth playing. The series criticizes the gaming industry through its use of humor and its well-written narrative.
While I loved the first two seasons of Mythic Quest, this season falls flat. The narrative was drawn out, with each episode ending in disappointing. This season felt like a setup for something that hopefully won’t get canceled by Apple. It began a lot of story threads bringing forth minor characters featuring stories you probably won’t care for. The overall experience was fine, but waiting week to week made this series harder to follow. Nothing was hooking me to come back for the next episode or season while we are at it. It is a better experience to watch the episodes back to back, but it remains the show’s weakest season.
What keeps me from hating this season is that if you look at it as a whole and remove all the fluff, there is much-needed character growth that I was happy to see. There are important story beats that give the narrative its meaningful advancement, but you have to sit through some boring story-lines.
I will probably watch the fourth season because I need my closure, but I lack the excitement I once had. Do not be discouraged, Mythic Quest is still worth watching. It has a fantastic cast playing great characters, and the story is mostly good. If you have Apple TV, you should have already watched it. If you don’t, it is worth the free trial.
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Series Review: Kaleidoscope (2023)
The new year isn’t off to the best start. I just watched Kaleidoscope and I feel cheated of the thrilling heist experience I was promised. This series has been stretched out so much that it has lost all of its meaningful substance. This series was a waste of time, do not watch it.
The series starts with a man in prison who spends his day growing increasingly bitter about life and plotting his escape. A terrible diagnosis turns his plans into reality. As a free man, he gathers the sloppiest crew to pull off a heist from one of the most secure banks in New York City. Can they come together in time and make off with $7 billion? Or will this be the end of this generic showrunner?
It makes me sad to see such an excellent cast wasted on such a boring series. I came into Kaleidoscope expecting interesting characters and adrenaline-pumping heists, but instead, all I got was pointless drama. The heists are fine at best, but they are overshadowed by how boring everything else is. They could have cut this into a two-hour movie, and life would have been better.
My biggest complaint with this series is that it tries to do too much. There is too much backstory for characters no one will care about, and there are too many uninteresting plot threads to unravel. The series has an interesting gimmick where it plays with the timeline, but it doesn’t work here. The series will jump around between different characters and times, building up to its disappointing heist. Instead of experiencing the heist as it happens, you get to watch the excitement of planning, relationship problems, and its uninspired aftermath. It was a mistake to have the heist come at the end because I had already checked out long before then. Sometimes starting at the end makes a narrative interesting because you need to know what happened. Here, it made me care even less about this series.
If you like heist movies, watch one of the better ones. This series is a waste of your time. You can watch it on Netflix, but I wouldn’t.
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Series Review: Spriggan (2022)
Spriggan Is anime’s generic attempt at bringing Indiana Jones to the future. While a neat concept, it feels rushed and underdeveloped. It may not be the worst anime I’ve seen, but it makes it hard to recommend.
Spriggan is about a secret government agency whose mission is to collect powerful ancient artifacts and keep them from the clutches of evil. The story focuses on Yu, a talented high school kid who, with the help of a powerful mech suit, goes travels the world hunting these powerful relics. Each episode focuses on the lore and retrieval of a different artifact.
Right off the bat, I am not a fan of the art style. It feels stiff, fragmented, and cheap most of the time. The combat is okay, but it is anticlimactic. Most of the problems are solved by ex-Machina. My biggest issue with this anime is that Yu is a generic cocky male protagonist who is perfect. Most of his dialogue involves him being cocky about his skills, and it gets annoying. When he does struggle or start to get beat, he is saved at the perfect time, and the whole thing doesn’t matter.
Another issue I have with this series is that there isn’t a good villain to drive the narrative. This series revolves around different organizations whose motives are uninspired and lazy. Most people are evil for the sake of being evil. It doesn’t help that they are destined to lose to Yu.
The problem with this anime is that it is limited to six short episodes. While I appreciate that they didn’t drag this out as much as they could have, it isn’t long enough to build the world or develop its characters. Each episode is a different adventure, and all of them are generic. This series left such a small impression on me that I have already forgotten what it was about.
You can stream Spriggan on Netflix, but it isn’t worth it. It looks cheap, the story is rushed, and there isn’t anything worth watching in it. I could make the case of throwing it on for background noise, but there are better anime out there more worthy of your data.
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Series Review: Tulsa King (2022)
Tulsa King is a cheesy gangster movie that isn’t worth the Paramount+ subscription. While the series certainly has its moments, it is a sloppy experience that only a few will enjoy. If you have nothing else to watch and happen to have Paramount+, go for it. Otherwise, it isn’t worth your time.
Tulsa King is the story of an old gangster trying to set up an empire in Tulsa. The story picks up after Ike is released from his 25 jail sentence. The family he works for sends him to Tulsa to set up a new operation. The series will focus on Ike’s rise to power as he struggles with his regrets. Will Ike become Tulsa’s undisputed king?
Stalone is hands down the best part of the series. He has the charm and charisma to carry the cheesy gangster aspects of this show but also has enough talent for some of the more serious moments. Unfortunately, this is a mediocre show with flat characters and no plot.
One of the problems I have with this series is how preachy it gets about its social issues. The series will grind to a halt to point out social issues like racial discrimination or government oversight at the detriment of the narrative’s flow. This recent push to create media that is overly politically correct is ruining storytelling. There is a time and place for these kinds of conversations, and none of them are within the runtime of a cheesy gangster series.
My biggest issue with the series is how hard they try to humanize Ike through his interaction and relationship with people. Some work out fine like when he is trying to reconcile with his daughter, but others seem forced and lazy, like with his romantic interest. The romantic interest in this series is poorly written to the point that no amount of charisma can save it. This character is flat, boring, and generic. The whole romantic subplot is forced, and this series would be better without it.
This series could have been better if it didn’t try so hard to be serious. At its core, Tulsa King is a cheesy gangster narrative. Had this series been true to its roots, it could have been been a great thing. I would have loved a cheesy and nonsensical mob series with Stalone at the head. I wouldn’t care how flat the characters are or how dumb the plot was if I got to see Stalone bust skulls for no reason.
This series was a missed opportunity to bring some dumb and fun entertainment to an otherwise abysmal catalog. It may not be the worst series Paramount has to offer, but it isn’t worth going out of your way to watch it either.
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Series Review: Hot Skull (2022)
Hot Skull is an interesting take on the zombie genre. While the series may not feature the traditional zombie, it does feature the traditional tropes. The series is in Turkish, but there is dubbing in multiple languages. I always recommend watching shows in their original language, but the English dubbing for this is pretty good.
Hot Skull takes place in the middle of a global pandemic. The world fears a contagious disease that transfers through audio. People affected will start rambling endlessly, slowly forgetting who they are. People will turn to ramblers if they are exposed to rambling, so people live their lives wearing noise-canceling headphones. The government has taken advantage of the chaos and uses the pandemic to control its citizens. In a world without a cure, hope falls to Murat, the only person immune to the disease. Now the race is on to find a cure before the government silences Murat forever.
I enjoyed Hot Skull, but it isn’t without its faults. The series looks great and has a decent story, but some poorly written speeches were hard to sit through. It wasn’t bad enough to give up on the series, but I did zone out a few times. You notice it a lot whenever it deals with the peaceful protest group, but you can always skip around.
What I liked about this series is how it criticizes authoritarian governments. Hot Skull does a good job of showing how the government took advantage of the situation. Travel becomes restricted, curfews are set in place, the public narrative is heavily edited, and the government is not afraid to use excessive violence on what they consider to be dissidence. Civil unrest brews in the shadows because people no longer have control of their lives. I just wish they did a better job with the rebels. The group seems a bit lazily written and only exists to move the plot forward at points.
I enjoyed Murat as a protagonist. Murat is the only person who is immune to the disease, but he spends his time in hiding. As he becomes exposed to the cold reality around him, he becomes more involved in the revolution. It is cool to see his transformation as he becomes more active in finding a cure. His transition to heroism may not be fluid, but it was well enough for what this is.
The only complaint I have about this series is that it slows down halfway through. As Murat gets more active about his role in the pandemic, the series gets bogged down with a lot of revolutionary ideology that I didn’t have much interest in. It might be a translation issue, but there are a lot of sappy speeches about freedom and martyrs I didn’t care for either. The pacing picks up eventually, but not until I was ready to give up on the series.
Overall, the series stands pretty well. There was a good amount of suspense and tension. It handled a lot of its themes and criticism well. It may not be the best story, but it will pass the time. While I don’t see myself rewatching this series or waiting for a second season, I’m glad I watched it. I’d say that if you like the zombie genre and want to see something different, give this series a try. It’s better than the recent resident evil movies. Otherwise, wait till you have nothing to watch.
It is available for streaming on Netflix.
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Series Review: The Rings of Power (2022)
I was initially keeping up with Rings of Power when it was first released but fell off after a couple of episodes because of its pacing. I was initially excited about this series, but that excitement has since dulled. The Rings of Power isn’t a bad series, but it isn’t the epic prequel I was promised either.
The Rings of Power is fine, but it is not without its faults. The acting is fantastic, but the writing holds them back. I love the diverse casting and it makes me happy to see people of color in prominent roles in fantasy. The fantasy genre has always felt exclusive to white people. Growing up, I enjoyed fantasy but had to hide this fact to avoid getting picked on. It is amazing to see characters of color who make an impact on the narrative instead of just being villains and henchmen. I hope this is a growing trend in the genre, even if this series isn’t the best.
The biggest issue I have with this series is its pacing. It was too slow to be released weekly. I wouldn’t mind if this series was slow because it was carefully developing its lore. Instead, this series is bogged down by its excessive use of metaphor. The Rings of Power is desperate to sound poetic and it is off-putting. It is safe to say that the writing for this series isn’t great, and at times it sounds like a cheap attempt at emulating Tolkien. It wasn’t bad enough to make me stop watching, but it made it difficult to finish it.
The rest of the series was fine, but I wouldn’t have finished it if it wasn’t for this review. It looks pretty. The CGI cities look cool, the action is decent, and the costumes are great. They even have a fantastic villain, but at its core, this series is just average at best.
I don’t think this series is for everyone. If you aren’t a fan of fantasy, watch the movies instead. This series is a slow burn that barely pays off. The Rings of Power only works as a supplement for those casual Lord of the Rings fans who want more stories in the universe but don’t want to read the books. This isn’t a series I’d rush through, and I definitely recommend you skip around. You can stream it all on Amazon if you have a Prime membership.
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Series Review: The Peripheral (2022)
The entire season of The Peripheral is finally available for streaming, and it wasn’t worth the wait. I started watching this series as it came out but quickly gave up when I lost interest. Having this series be a weekly release was a mistake because there isn’t enough happening to get you excited for the next episode. If you are looking for a good sci-fi series to binge, look elsewhere.
Flynn Fisher is the best VR gamer in the world, but she is also poor. She and her family live paycheck to paycheck and use Flynn’s gaming skills to make extra money. One day, a mysterious benefactor offers to pay her to test a new VR headset. Flynn finds herself in a hyper-realistic simulation where she must complete dangerous tasks to earn her paycheck. But there is an evil cabal working against her benefactor. Flynn finds herself in the middle of a deadly conflict where she and her family must fight to survive. Can Flynn get to the bottom of this mystery before anyone she loves dies?
I am happy this series has a recap before every episode because I struggled to remember the plot. The plot isn’t confusing, but it is boring. There clearly wasn’t enough plot for a whole series because they drag out what little plot they have over the eight episodes. This series is terribly paced. This series needed to be thrilling, fast-paced, and suspenseful, but it isn’t.
The cast is decent but they are wasted on flat characters and dull narrative. Flynn is a Betty Sue who seems to care the least about being in this series. She is much too perfect and will easily beat every encounter she faces. Any suspense and action that could have saved this series from being an abysmal flop are poorly executed. The action scenes are lethargic, the build-up is slow, and the big reveal comes out of nowhere. This is a series that suffers from a severe identity crisis as it struggles to try to define itself. There are too many plotlines fighting for your attention, and none of them will earn it.
I haven’t read the book this series is based on, but I can assure you it is a very loose adaptation. If you are here because you are a fan of the book or the Westworld series, prepare to be disappointed. This series was a waste of time. You can stream it on Amazon, but I wouldn’t bother.
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Series Review: The Bear (2022)
You should be watching The Bear on Hulu. It is a fast-paced, anxiety-inducing story that will keep you on the edge of your seat. My heart is still racing from this hectic experience, and I love it.
After his brother’s suicide, Carmy moves back to Chicago to try to save his family’s restaurant. Carmy inherited this restaurant from his brother. Carmy is a classically trained chef, and he brings with him new innovative ideas. But saving the restaurant won’t be easy. The staff is stubborn, and his brother left the business in shambles. Can Carmy bring the staff together and help bring the change necessary to save the restaurant?
I am still shaking from the stress and anxiety this series gave me. The Bear does a fantastic job of showing a realistic view of the fast-paced and stressful environment that is in the kitchen. The series deals with hard topics such as depression, anxiety, and death while telling a powerful narrative.
This series is best at showing the worst of the human experience. You follow as characters are crippled by stress, anxiety, depression, and other complications in such a real way that it gets uncomfortable. Watching people live with their mental illnesses is something that resonated with me deeply, and I am sure I am not alone in this. it is an aspect of the show that is sprinkled expertly throughout the series as it tells its story.
What I enjoyed most is how the character processes their grief about the suicide. It is a slow process that all characters worked through as the series progressed. I loved watching the characters change through their process as they each went through the different stages in their own way.
The Bear is a fantastic series, and I hope I did it justice. If you like cooking shows, heartwarming shows, or shows about mental health, go check this out! Go watch it now on Hulu and thank me later!
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Series Review: Wednesday (2022)
I have seen enough bad Netflix adaptations and spinoffs to be skeptical about the success of Wednesday. While the casting seemed perfect, I refused to get too excited. I was pleasantly surprised by this spinoff. While it may not be perfect, it is a solid series that you should consider watching.
After a terrible prank, Wednesday is sent to Nevermore, a school for gifted outsiders. The school is full of werewolves, vampires, and people who just don’t fit into the rest of society. Wednesday is resistant at first but slowly comes to tolerate the change. There is something sinister lurking in the woods around Nevermore, and Wednesday loves sinister. Wednesday finds herself in the middle of a mystery full of murder, mayhem, and conspiracy. It is enough to put a smile on her otherwise pale and gloomy face. Can she get to the bottom of things before the year is out?
This is the fourth show in this supernatural school genre I have seen this year. While I noticed that are a lot of parallels, it manages to be a unique enough narrative. The story and lore are tame and easy to follow, the aesthetic is visually appealing, and Wednesday is a fantastic protagonist. Some of the writing and acting aren’t great, but it isn’t bad enough to stop watching.
The mystery in this series is well-developed. It will keep most audiences guessing until the big reveal at the end. I can assure you that there is enough misdirection to muddle your theories as soon as you make them. If you are paying enough attention, there are enough clues to solve the mystery early on. It isn’t overtly obvious unless you know what you are looking for, so I would avoid spoilers. It is refreshing to see a mystery with good attention to detail. There is nothing worse than watching a sloppy mystery where the solution is over-rationalized nonsense at the end.
The characters in this series are fine, although they get sloppy the farther removed they are from Wednesday. The acting is inconsistent between the supporting actors unless they are close to Wednesday. It isn’t bad, but it is noticeable. This might be intentional since outside of Wednesday, most characters are one-dimensional.
Wednesday is a fantastic protagonist. I was afraid they were going to make her a generic brooding goth girl, but there is some surprising depth to Wednesday. I like that Wednesday isn’t perfect. She makes mistakes, loses, and is even wrong sometimes, but she learns from her downfalls. She may not admit when she makes mistakes, but she tries harder, attempts to make amends, and experiences meaningful character growth. The series does a tremendous job of building up her growth and highlighting those important moments. Wednesday will not end in the same place where she started her journey.
My only complaint about this series is that the ending is a bit sloppy. I lost interest because the pacing feels rushed as the series tries to close up all the different plot threads it’s set up throughout the season. It still remained an enjoyable experience and one that I recommend to everyone. This is a different tone than any of the source materials. This is a lot more serious dark and structured more like a teen drama. It has a lot of similar themes, but with a lot less fan service. That said, this is honestly one of the better ones of the genre I have seen. You can stream it now on Netflix.
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Series Review: The Mosquito Coast (2021)
The Mosquito Cove is quite possibly the most boring and preachy thriller I have seen this year. The series has two seasons, but I couldn’t gather the strength to finish the second one. I try my hardest to finish everything I review, but this one proved too much for me.
The series focuses on a family of fugitives on the run from the US government. We don’t know what they did to become outlaws, but you will get clues throughout the series to figure it out. The family flees to Mexico where now they are also being hunted by one of the cartels. Trouble seems to be the only constant in their lives, and they seem to be running out of places to hide. This life puts a great strain on the family, and they keep finding it harder to want to keep going. Will they ever find a safe place to call home, or will their dark secrets catch up and destroy them?
There are some interesting concepts in this show that I wish were explored better. I like that there is a dark mystery that follows the family and causes friction between them. The parents did something bad in their past, but no one is saying what that is. The kids grow suspicious of the parents and each day become more defiant. You get the sense that the dad might be the bad guy, but this narrative takes too long to unravel, and I lost interest. I like the idea of having the protagonist be the bad guy so that we, the audience, can slowly learn to hate him along with the family. It would be interesting to be trapped like this family, knowing they should leave but have nowhere to go because of the situation. The series does attempt to touch on this idea, but it isn’t done well.
Eventually, you find out that the parents are wanted, environmental terrorists. This isn’t a spoiler; this series is pretentious about its environmentalism and anti-consumerism messaging. Every episode has at least two speeches about how humanity is destroying the planet or some anti-establishment criticism. It is tiresome. I don’t mind this type of messaging and believe them to be important, but not when it’s this abrasive. It is hard to have to constantly sit through a dull lecture when I was promised a thriller.
The pacing is a huge problem for this series. This story drags without ever getting to the point. As a result, there isn’t enough urgency or suspense for this series to work. I found myself mostly waiting around for anything interesting to happen. I kept hoping this family would get caught so I didn’t have to suffer through this series any longer, but the villains proved too incompetent.
The Mosquito Cove lacks the stakes needed to be considered a thriller. Anytime the family gets into trouble, whether they are being chased by the cartel or caught by the FBI, they easily escape through poorly written ex-Machina. This series likes to pretend to be technical and realistic but bends the rules of reality to allow the family a chance to escape. This isn’t even a family of highly trained spies. Instead, this is a normal family fumbling through the sloppiest of escapes.
I wish this series had the courage to kill off one of the characters. It would make for a better story to have the family deal with death on top of the danger. If one of the kids died, the dad would have to live with the guilt as he continues trying to hold his family together. The mother and the surviving sibling would want to leave but find themselves in a situation where escaping isn’t an option. It would create this crazy dynamic where they need each other to survive, but the grief has since split them apart. Honestly, anything would have been more interesting to watch than what this show actually is.
I couldn’t make it through the second season. It was clear this series wasn’t going to get better, and I have since run out of patience. You can stream this on Apple TV if you have a subscription, but I wouldn’t bother.
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